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5 Lithographs on aluminum plates // Fernando Bryce's Portfolio INRA (2009) is a collection of five lithographs printed on aluminum plates, examining themes of media, propaganda, and historical narratives. Each piece in the series is rendered in black and white, replicating covers and imagery from publications such as Life and Américas, with a focus on Latin American and Asian socio-political themes. Bryce’s meticulous reproductions capture the style and tone of mid-20th-century media, inviting viewers to reflect on how information and cultural perceptions are shaped by printed material. This portfolio critically engages with history and memory, subtly questioning the authenticity and impact of mass media.
Portfolio INRA, 2009
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50 x 38 cm
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Details
Artist
Styles
5 Lithographs on aluminum plates // Fernando Bryce's Portfolio INRA (2009) is a collection of five lithographs printed on aluminum plates, examining themes of media, propaganda, and historical narratives. Each piece in the series is rendered in black and white, replicating covers and imagery from publications such as Life and Américas, with a focus on Latin American and Asian socio-political themes. Bryce’s meticulous reproductions capture the style and tone of mid-20th-century media, inviting viewers to reflect on how information and cultural perceptions are shaped by printed material. This portfolio critically engages with history and memory, subtly questioning the authenticity and impact of mass media.
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
