
Details
Artist
Styles
Untitled (Drawing) by Eduardo Chillida, created in 1985, is a striking work of ink on paper measuring 99 x 64.5 cm. Known for his exploration of form and space, Chillida uses bold, black ink to compose an abstract, almost architectural structure of interlocking loops and bars. The minimal yet powerful composition reflects the artist’s preoccupation with volume, voids, and balance, which he often explored in both sculpture and graphic work. Despite its simplicity, the drawing evokes a sense of mass and tension, suggesting an invisible framework or grid that resonates with Chillida’s broader interest in spatial philosophy and material expression.
Untitled (Drawing), 1985
form
Medium
Size
99 x 64.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Untitled (Drawing) by Eduardo Chillida, created in 1985, is a striking work of ink on paper measuring 99 x 64.5 cm. Known for his exploration of form and space, Chillida uses bold, black ink to compose an abstract, almost architectural structure of interlocking loops and bars. The minimal yet powerful composition reflects the artist’s preoccupation with volume, voids, and balance, which he often explored in both sculpture and graphic work. Despite its simplicity, the drawing evokes a sense of mass and tension, suggesting an invisible framework or grid that resonates with Chillida’s broader interest in spatial philosophy and material expression.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Eduardo Chillida
Literature Or Life (Esku XXXV, Hebrew Version), 1997
Limited Edition Print
Etching
EUR 3,600
Eduardo Chillida
Une Helene De Vent Ou Fumee I, 1990
Limited Edition Print
Etching And Aquatint
EUR 8,150
Eduardo Chillida
Une Helene De Vent Ou Fumee II, 1990
Limited Edition Print
Etching And Aquatint
EUR 8,150
Eduardo Chillida
Une Helene De Vent Ou Fumee III, 1990
Limited Edition Print
Etching And Aquatint
EUR 8,150
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.