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Untitled, 1984

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Eduardo Chillida Médecins du Monde etching and aquatint with monumental black geometric forms against textured background space

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Signed and numbered in pencil. Plate size: 107 x 102 cm. Published by Taller Hatz, San Sebastián. Catalogue number: 92004. Catalogued on page 222 of Eduardo Chillida. Opus P P.III. Complete catalogue of graphic work 1986-1996. Chorus – Verlag. Mainz, Germany. 1996. Eduardo Chillida’s Médecins du Monde (1992) is a monumental etching and aquatint that exemplifies the artist’s lifelong exploration of space, mass, and balance through abstraction. Composed of bold black forms set against a textured field, the work creates a powerful dialogue between solid presence and empty space. The interlocking geometric shapes appear simultaneously architectural and sculptural, reflecting the visual language that defined Chillida’s renowned sculptures in steel, stone, and iron. Rather than depicting a recognizable subject, the composition invites contemplation of weight, tension, and spatial relationships. Created in support of Médecins du Monde, the humanitarian organization, the print combines formal rigor with a sense of quiet humanism. The contrast between the dense black volumes and the open white areas transforms the image into a meditation on connection, structure, and coexistence.

Artwork Copyright © Eduardo Chillida

Eduardo Chillida

Medecins Du Monde, 1992

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115 x 160   cm
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Details

Artist

Styles

Signed and numbered in pencil. Plate size: 107 x 102 cm. Published by Taller Hatz, San Sebastián. Catalogue number: 92004. Catalogued on page 222 of Eduardo Chillida. Opus P P.III. Complete catalogue of graphic work 1986-1996. Chorus – Verlag. Mainz, Germany. 1996. Eduardo Chillida’s Médecins du Monde (1992) is a monumental etching and aquatint that exemplifies the artist’s lifelong exploration of space, mass, and balance through abstraction. Composed of bold black forms set against a textured field, the work creates a powerful dialogue between solid presence and empty space. The interlocking geometric shapes appear simultaneously architectural and sculptural, reflecting the visual language that defined Chillida’s renowned sculptures in steel, stone, and iron. Rather than depicting a recognizable subject, the composition invites contemplation of weight, tension, and spatial relationships. Created in support of Médecins du Monde, the humanitarian organization, the print combines formal rigor with a sense of quiet humanism. The contrast between the dense black volumes and the open white areas transforms the image into a meditation on connection, structure, and coexistence.

Artwork Copyright © Eduardo Chillida
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Eduardo Chillida Untitled Drawing 1985 ink on paper showing bold interlocking black abstract forms on cream background.

Eduardo Chillida

Untitled (Drawing), 1985

Drawing / Watercolor

Ink

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Eduardo Chillida's Literature or Life III, 1997, black abstract etching with circular cutouts on Arches BFK paper, explores space and form.

Eduardo Chillida

Literature Or Life III, 1997

Limited Edition Print

Etching

EUR 3,600

Eduardo Chillida's Urrutiko (1972) etching and aquatint features abstract, irregular geometric forms in white against a black background.

Eduardo Chillida

Urrutiko, 1972

Limited Edition Print

Etching And Aquatint

EUR 9,600

Eduardo Chillida, Felicidades, monotype, black organic lines on a light background creating branching, abstract forms.

Eduardo Chillida

Felicidades, 1966

Limited Edition Print

Monotype

EUR 11,300

Eduardo Chillida, Untitled, tapestry, abstract brown and beige interlocking shapes on square textile

Eduardo Chillida

Untitled (tapestry), 1965

Tapestry

Tapestry

Inquire For Price

Eduardo Chillida Médecins du Monde etching and aquatint with monumental black geometric forms against textured background space

Eduardo Chillida

Medecins Du Monde, 1992

Limited Edition Print

Etching And Aquatint

EUR 23,500

Eduardo CHILLIDA | Eintsu | Etching

Eduardo Chillida

Eintsu, 1974

Limited Edition Print

Etching

EUR 3,800

Minimalist etching by Eduardo Chillida featuring interlocking abstract lines in a square, titled Enda IV (Raza) (1976), black ink on white paper.

Eduardo Chillida

Enda IV. (Raza), 1976

Limited Edition Print

Etching

EUR 2,500

Eduardo Chillida Libro Aromas etchings, woodcuts, screenprints of black abstract forms on white Eskulan-Velin paper portfolio

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Libro Aromas (portfolio), 2000

Limited Edition Print

Etching

EUR 37,000 - 45,000

Eduardo Chillida Placard Jabs serigraph with abstract black shape above handwritten French poem by Edmond Jabès on white background.

Eduardo Chillida

Placard Jabes, 1975

Limited Edition Print

Serigraph

EUR 3,600

Eduardo Chillida St. Gallen 1968-84 lithograph on Japanese paper with bold black geometric form and negative space creating contrast.

Eduardo Chillida

St. Gallen, 1968-84

Limited Edition Print

Lithograph

EUR 5,040

Eduardo Chillida Cioran 1983 lithograph featuring bold black geometric shapes with white negative space creating contrast and balance.

Eduardo Chillida

Cioran, 1983

Limited Edition Print

Lithograph

EUR 4,800

Eduardo Chillida Sapai 1969 lithograph featuring bold black geometric forms with textured surfaces on a white background.

Eduardo Chillida

Sapai, 1969

Limited Edition Print

Lithograph

EUR 4,800

Eduardo Chillida's Copernicus (Kopernikus) (1980) etching features delicate, abstract lines resembling a hand within a small, open space on a white background.

Eduardo Chillida

Copernicus (Kopernikus), 1980

Limited Edition Print

Etching

EUR 3,450

Eduardo Chillida Cioran XXXI, woodcut, black puzzle-like abstract shape centered on white background, minimalist composition.

Eduardo Chillida

Cioran XXXI, 1986

Limited Edition Print

Woodcut

EUR 3,600

Eduardo Chillida's Cioran XXVI (1983) woodcut shows bold black shapes resembling puzzle pieces against a white background.

Eduardo Chillida

Cioran XXVI, 1983

Limited Edition Print

Woodcut

EUR 3,600

Eduardo Chillida's Cioran XXV (1983) woodcut features interlocking black shapes resembling puzzle pieces against a white background.

Eduardo Chillida

Cioran XXV, 1983

Limited Edition Print

Woodcut

EUR 3,600

Eduardo Chillida's L'Honra Del Llop (1994) etching shows a small, abstract black-and-white geometric form centered in a large white space.

Eduardo Chillida

L'Honra Del Llop, 1994

Limited Edition Print

Etching

EUR 3,600

Eduardo Chillida's Cioran XXX (1983) engraving features thin, puzzle-like outlines interlocking and overlapping on a blank white background.

Eduardo Chillida

Cioran XXX, 1983

Limited Edition Print

Engraving

EUR 2,500

Eduardo Chillida's Cioran XXVIII (1983) engraving shows thin, puzzle-like outlines in a flowing vertical arrangement on a white background.

Eduardo Chillida

Cioran XXVIII, 1983

Limited Edition Print

Engraving

EUR 2,500

Eduardo Chillida's Cioran XXIX (1983) engraving features thin puzzle-like abstract outlines, loosely interconnected, on a white background.

Eduardo Chillida

Cioran XXIX, 1983

Limited Edition Print

Engraving

EUR 2,500

Eduardo Chillida’s Literature or Life (Esku XXXV, Hebrew version), 1997 minimalist etching of abstract, intertwined forms on textured paper.

Eduardo Chillida

Literature Or Life (Esku XXXV, Hebrew Version), 1997

Limited Edition Print

Etching

EUR 3,600

Eduardo Chillida, Antzo VIII, etching and aquatint, abstract black and white forms exploring spatial relationships and structure.

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Antzo VIII, 1986

Limited Edition Print

Etching And Aquatint

EUR 6,500

Eduardo Chillida's Beltza V, woodcut, bold black abstract shapes arranged with dynamic positive and negative space on a white background.

Eduardo Chillida

Beltza V, 1969

Limited Edition Print

Woodcut

EUR 6,000

Eduardo Chillida's Beltza IV, woodcut print, black and white abstract composition with bold interwoven shapes exploring space.

Eduardo Chillida

Beltza IV, 1969

Limited Edition Print

Woodcut

EUR 6,000

Eduardo Chillida's Beltza III, woodcut print, abstract black and white composition with interlocking organic lines.

Eduardo Chillida

Beltza III, 1969

Limited Edition Print

Woodcut

EUR 6,000

Eduardo Chillida's Beltza II, 1969 woodcut, black abstract interlocking forms on a white background with strong contrast.

Eduardo Chillida

Beltza II, 1969

Limited Edition Print

Woodcut

EUR 6,000

Eduardo Chillida's Beltza I, woodcut, bold black abstract shapes with intricate paths on a white background, minimalist style.

Eduardo Chillida

Beltza I, 1969

Limited Edition Print

Woodcut

EUR 6,000

Eduardo Chillida’s Mas Allá II, 1973 woodcut with subtle embossed geometric pattern, limited edition print edited by Maeght Editor, Paris.

Eduardo Chillida

Mas Allá II, 1973

Limited Edition Print

Woodcut

EUR 3,600

Eduardo Chillida’s Homenaje a Omar Khayyam, 1982 etching featuring a black and white abstract form with an organic cut-out on Rives BFK paper.

Eduardo Chillida

Homenaje A Omar Khayyam, 1982

Limited Edition Print

Etching

EUR 4,500

Eduardo Chillida's Aurrera etching featuring abstract interlocking black shapes on a white background, exploring space and form.

Eduardo Chillida

Aurrera, 1967

Limited Edition Print

Etching

EUR 4,200

Eduardo Chillida Against Torture etching with abstract dark shape held by black tape-like forms, symbolizing suffering and constraint.

Eduardo Chillida

Against Torture , 1993

Limited Edition Print

Etching

EUR 4,500

Eduardo Chillida, Une Hélène de vent ou fumée I, etching and aquatint; chaotic black scratched lines on white background, evoking movement.

Eduardo Chillida

Une Helene De Vent Ou Fumee I, 1990

Limited Edition Print

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EUR 8,150

Eduardo Chillida, Une Hélène de vent ou fumée II, etching and aquatint; chaotic scratched lines on top with open white space below.

Eduardo Chillida

Une Helene De Vent Ou Fumee II, 1990

Limited Edition Print

Etching And Aquatint

EUR 8,150

Eduardo Chillida, Une Hélène de vent ou fumée III, etching and aquatint; dense black scratches at top with open white space below.

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Une Helene De Vent Ou Fumee III, 1990

Limited Edition Print

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EUR 8,150

Eduardo Chillida, Bikaina XIV, etching and aquatint; minimalist black abstract shape with cutouts centered on a white background.

Eduardo Chillida

Bikaina XIV, 1988

Limited Edition Print

Etching And Aquatint

EUR 5,800

Eduardo Chillida, Argi IV, etching and aquatint; abstract black geometric shapes on a white background, creating balance and contrast.

Eduardo Chillida

Argi IV, 1988

Limited Edition Print

Etching And Aquatint

EUR 5,800

Eduardo Chillida, Argi V, etching and aquatint; minimalist composition with sparse black shapes on a white background, exploring balance.

Eduardo Chillida

Argi V, 1988

Limited Edition Print

Etching And Aquatint

EUR 5,800

Eduardo Chillida Le Miracle du Feu etching featuring interlocking black abstract shapes on a white background.

Eduardo Chillida

Le Miracle Du Feu, 1986

Limited Edition Print

Etching

Currently Not Available

Eduardo Chillida Bikaina XV etching with aquatint showing two mirrored black abstract forms on textured Japanese paper.

Eduardo Chillida

Bikaina XV, 1988

Limited Edition Print

Etching And Aquatint

Currently Not Available

Eduardo Chillida Untitled n°73 lithograph with overlapping black and grey abstract forms exploring positive and negative space.

Eduardo Chillida

Untitled N°73, 1961

Limited Edition Print

Lithograph

Currently Not Available

Eduardo Chillida's Bidearte I etching featuring an intricate, abstract design with fine lines on a lightly textured background.

Eduardo Chillida

Bidearte I, 1980

Limited Edition Print

Etching And Aquatint

Currently Not Available

Eduardo Chillida's Gurutze Gorria, 1984, lithograph with bold black abstract form and white negative space resembling an architectural structure.

Eduardo Chillida

Gurutze Gorria, 1984

Limited Edition Print

Lithograph

Currently Not Available

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What is Art Informel?
Artwork by Bram Bogart

What is Art Informel?

Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.

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