Details
Artist
Styles
Etching on Kozo paper. From the series Paroles Peintes. Monogrammed and titled in pencil. Image size: 15.5 × 11.5 cm. Bibliography Van Der Koelen 74001. // From the celebrated Paroles Peintes series, Chillida's Eintsu distils the Basque sculptor's monumental vision into an intimate etching on delicate Kozo paper. Bold, architectonic forms — at once weighty and buoyant — occupy the centre of the composition with the same spatial authority that defines Chillida's iron and steel sculptures. The tactile warmth of the Japanese paper amplifies the interplay between the deeply bitten black marks and the surrounding white, evoking the sculptor's lifelong dialogue between mass and space, earth and air. Monogrammed and titled in pencil, this impression from an edition of 25 is a refined example of one of the twentieth century's most revered sculptor-printmakers.
Eintsu, 1974
form
Medium
Size
38.5 x 28.5 cm
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- Centimeters
Edition
Price
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Details
Artist
Styles
Etching on Kozo paper. From the series Paroles Peintes. Monogrammed and titled in pencil. Image size: 15.5 × 11.5 cm. Bibliography Van Der Koelen 74001. // From the celebrated Paroles Peintes series, Chillida's Eintsu distils the Basque sculptor's monumental vision into an intimate etching on delicate Kozo paper. Bold, architectonic forms — at once weighty and buoyant — occupy the centre of the composition with the same spatial authority that defines Chillida's iron and steel sculptures. The tactile warmth of the Japanese paper amplifies the interplay between the deeply bitten black marks and the surrounding white, evoking the sculptor's lifelong dialogue between mass and space, earth and air. Monogrammed and titled in pencil, this impression from an edition of 25 is a refined example of one of the twentieth century's most revered sculptor-printmakers.
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
