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Edition of 50 - Original LIihograph - Hand Signed by the Artist & Numbered - In mint condition // Untitled Blue by Dr. Lakra, a 2008 lithograph, showcases the artist's fascination with tattoo culture, traditional iconography, and dark symbolism. This limited edition print, hand-signed and numbered, is filled with haunting imagery set against a blue and brown palette. The central figure, a stylized female face with wide, haunting eyes, is surrounded by a chaotic array of symbols: skulls, snakes, monsters, and other eerie figures. Each element recalls tattoo motifs, blending horror and mysticism with a sense of dark humor. Dr. Lakra's distinct line work and the balanced, intricate layout bring a sense of visual rhythm, as if each symbol contributes to an unfolding narrative. The work embodies a mix of traditional and contemporary elements, reflecting the artist's interest in the macabre and subversive.
Untitled Blue, 2008
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76.2 x 55.9 cm
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Details
Artist
Styles
Edition of 50 - Original LIihograph - Hand Signed by the Artist & Numbered - In mint condition // Untitled Blue by Dr. Lakra, a 2008 lithograph, showcases the artist's fascination with tattoo culture, traditional iconography, and dark symbolism. This limited edition print, hand-signed and numbered, is filled with haunting imagery set against a blue and brown palette. The central figure, a stylized female face with wide, haunting eyes, is surrounded by a chaotic array of symbols: skulls, snakes, monsters, and other eerie figures. Each element recalls tattoo motifs, blending horror and mysticism with a sense of dark humor. Dr. Lakra's distinct line work and the balanced, intricate layout bring a sense of visual rhythm, as if each symbol contributes to an unfolding narrative. The work embodies a mix of traditional and contemporary elements, reflecting the artist's interest in the macabre and subversive.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
