Sam Francis

Untitled, 1984

106.7 X 73 inch

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Lithograph of Water Made of Thick and Thin Lines and Two Light Blue Washes

David Hockney's Untitled (Still Life with Chair), 1989, black-and-white facsimile drawing in 16 parts, featuring abstracted still life elements like a chair, table, and vase.

Xerox copy of facsimile drawing in 16 parts from an unknown edition - Printed initials on the front // David Hockney’s Untitled (Still Life with Chair) is a unique mixed media print, consisting of 16 separate parts assembled to create a composite image. Rendered through a Xerox copy of a facsimile drawing, this work embodies Hockney’s experimental approach to printmaking, where he utilizes unconventional methods to explore perspective and composition. The image presents a still life scene featuring abstracted, almost playful interpretations of a chair, a table, and a vase with flowers, set against a grid-like background. Hockney's choice to break the image into multiple segments emphasizes the fragmented, dynamic nature of the composition, inviting viewers to explore the space from multiple angles. The use of black and white adds a graphic quality, giving the work a modern, minimalist feel despite the everyday subject matter. Printed with Hockney’s initials on the front, this print showcases his ongoing fascination with the intersections of technology, art, and perception.

Artwork Copyright © David Hockney

Untitled (Still Life with Chair), 1989

form

Medium

Edition

Xerox copy of facsimile drawing in 16 parts from an unknown edition - Printed initials on the front // David Hockney’s Untitled (Still Life with Chair) is a unique mixed media print, consisting of 16 separate parts assembled to create a composite image. Rendered through a Xerox copy of a facsimile drawing, this work embodies Hockney’s experimental approach to printmaking, where he utilizes unconventional methods to explore perspective and composition. The image presents a still life scene featuring abstracted, almost playful interpretations of a chair, a table, and a vase with flowers, set against a grid-like background. Hockney's choice to break the image into multiple segments emphasizes the fragmented, dynamic nature of the composition, inviting viewers to explore the space from multiple angles. The use of black and white adds a graphic quality, giving the work a modern, minimalist feel despite the everyday subject matter. Printed with Hockney’s initials on the front, this print showcases his ongoing fascination with the intersections of technology, art, and perception.

Artwork Copyright © David Hockney

David Hockney

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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

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GBP 50,000 - 60,000

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Limited Edition Print

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Limited Edition Print

Etching

USD 10,925

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Limited Edition Print

Screen-print

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Inkjet Print

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Limited Edition Print

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Limited Edition Print

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Limited Edition Print

Etching And Aquatint

Inquire For Price

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Limited Edition Print

Digital Print On Paper

Inquire For Price

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Limited Edition Print

Lithograph

GBP 23,000 - 26,000

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Limited Edition Print

Etching And Aquatint

Inquire For Price

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Limited Edition Print

Etching And Aquatint

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Limited Edition Print

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Limited Edition Print

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Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

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David Hockney's Untitled (Still Life with Chair)

David Hockney

Untitled (Still Life With Chair), 1989

Limited Edition Print

Mixed Media

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