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Colour lithograph on Arches wove paper. Monogrammed in brush and annotated 'EA' in graphite. From the edition of 100 + EA. Published by Jacques Putman. Printed by Pierre Badey. Reference: Mason Putman 166. Bram Van Velde’s MP 166 (1975) is a color lithograph on Arches wove paper that reflects his mature abstract language, where form dissolves into expressive gesture. Dominated by cool blue tones and deep blacks, the composition suggests a fragmented, almost architectural structure intersected by bold, sweeping lines. The layered brushwork and translucent passages create a sense of depth and instability, evoking both interior space and emotional tension. Published by Jacques Putman and printed by Pierre Badey, this work exemplifies Van Velde’s post-war exploration of abstraction as a means of conveying psychological presence rather than concrete representation.
MP 166, 1975
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Medium
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98 x 63 cm
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Details
Artist
Styles
Colour lithograph on Arches wove paper. Monogrammed in brush and annotated 'EA' in graphite. From the edition of 100 + EA. Published by Jacques Putman. Printed by Pierre Badey. Reference: Mason Putman 166. Bram Van Velde’s MP 166 (1975) is a color lithograph on Arches wove paper that reflects his mature abstract language, where form dissolves into expressive gesture. Dominated by cool blue tones and deep blacks, the composition suggests a fragmented, almost architectural structure intersected by bold, sweeping lines. The layered brushwork and translucent passages create a sense of depth and instability, evoking both interior space and emotional tension. Published by Jacques Putman and printed by Pierre Badey, this work exemplifies Van Velde’s post-war exploration of abstraction as a means of conveying psychological presence rather than concrete representation.
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
