Details
Artist
Styles
wood, steel and serigraph // Antonio Asis’ Vibration Bandes Bleus et Rouges (2010) is a mixed-media work crafted from wood, steel, and serigraphy, reflecting Asis’ fascination with optical art and kinetic effects. This piece features an intricate grid of repeating vertical slits filled with alternating blue, red, and white bands, creating a vibrating visual rhythm. The alignment of colors and the spacing of the slits generate a pulsating effect, engaging the viewer’s perception and producing a sense of movement. Known for his exploration of geometric abstraction and visual dynamism, Asis’ work encourages interaction, as subtle shifts in perspective alter the perceived patterns. This limited edition piece exemplifies his skill in manipulating form and color to achieve optical illusions.
vibration bandes bleus et rouges, 2010
form
Medium
Size
52 x 52 X 13 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
wood, steel and serigraph // Antonio Asis’ Vibration Bandes Bleus et Rouges (2010) is a mixed-media work crafted from wood, steel, and serigraphy, reflecting Asis’ fascination with optical art and kinetic effects. This piece features an intricate grid of repeating vertical slits filled with alternating blue, red, and white bands, creating a vibrating visual rhythm. The alignment of colors and the spacing of the slits generate a pulsating effect, engaging the viewer’s perception and producing a sense of movement. Known for his exploration of geometric abstraction and visual dynamism, Asis’ work encourages interaction, as subtle shifts in perspective alter the perceived patterns. This limited edition piece exemplifies his skill in manipulating form and color to achieve optical illusions.
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Antonio Asis
Vibration Bandes Noir, Bleu Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.
