
Details
Artist
Styles
wood, steel and serigraph // Antonio Asis’ Vibration Bandes Bleus et Rouges (2010) is a mixed-media work crafted from wood, steel, and serigraphy, reflecting Asis’ fascination with optical art and kinetic effects. This piece features an intricate grid of repeating vertical slits filled with alternating blue, red, and white bands, creating a vibrating visual rhythm. The alignment of colors and the spacing of the slits generate a pulsating effect, engaging the viewer’s perception and producing a sense of movement. Known for his exploration of geometric abstraction and visual dynamism, Asis’ work encourages interaction, as subtle shifts in perspective alter the perceived patterns. This limited edition piece exemplifies his skill in manipulating form and color to achieve optical illusions.
vibration bandes bleus et rouges, 2010
form
Medium
Size
52 x 52 X 13 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
wood, steel and serigraph // Antonio Asis’ Vibration Bandes Bleus et Rouges (2010) is a mixed-media work crafted from wood, steel, and serigraphy, reflecting Asis’ fascination with optical art and kinetic effects. This piece features an intricate grid of repeating vertical slits filled with alternating blue, red, and white bands, creating a vibrating visual rhythm. The alignment of colors and the spacing of the slits generate a pulsating effect, engaging the viewer’s perception and producing a sense of movement. Known for his exploration of geometric abstraction and visual dynamism, Asis’ work encourages interaction, as subtle shifts in perspective alter the perceived patterns. This limited edition piece exemplifies his skill in manipulating form and color to achieve optical illusions.
- Recently Added
- Price (low-high )
- Price (high-low )
- Year (low-high )
- Year (high-low )
Antonio Asis
Vibration Bandes Noir, Bleu Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.