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Lithograph; signed, numbered // Split Performance by Allen Jones is a vibrant lithograph from 2012, blending surrealism and theatrical elements to create a dynamic scene. The composition is divided in the center, with contrasting figures on each side, each rendered in bold colors and geometric forms. On the left, a cubist-inspired figure faces away, adding an abstract quality, while on the right, a nude acrobat performs a dramatic handstand against a backdrop of flowing yellow drapery, exuding movement and tension. The central figure, dressed in dark attire with a red tie, appears to act as a mediator between the two sides. Jones’s exploration of performance and identity is evident in this intriguing, layered work, encouraging viewers to consider duality and contrast.
Split Performance, 2012
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Medium
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80.7 x 63 cm
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Details
Artist
Styles
Lithograph; signed, numbered // Split Performance by Allen Jones is a vibrant lithograph from 2012, blending surrealism and theatrical elements to create a dynamic scene. The composition is divided in the center, with contrasting figures on each side, each rendered in bold colors and geometric forms. On the left, a cubist-inspired figure faces away, adding an abstract quality, while on the right, a nude acrobat performs a dramatic handstand against a backdrop of flowing yellow drapery, exuding movement and tension. The central figure, dressed in dark attire with a red tie, appears to act as a mediator between the two sides. Jones’s exploration of performance and identity is evident in this intriguing, layered work, encouraging viewers to consider duality and contrast.
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Limited Edition Print
Lithograph
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Maitresse Folio Screenprint II, 2015
Limited Edition Print
Screen-print
Currently Not Available
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.