Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (from the Stamped Indelibly Portfolio)

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2 Sheets - Upper sheet signed 'Allen', lower sheet signed 'Jones' - Printed by Emile Matthieu, Zurich, co-published by Editions Alecto, London and Arts Moderna, Basel - Literature Richard Lloyd, Allen Jones Prints, Prestel, Munich/New York, 1995, no. 48 a-g, p. 118 // Allen Jones' 'Life Class IX' from 1968 is a bold and provocative lithograph that continues his exploration of female figures within the framework of pop art and societal commentary. The composition features a stylized woman sitting on a stool, her body exaggerated with exaggerated curves and sensuality, clothed in a black outfit. Her posture is confident, yet objectified, reflecting Jones' ongoing commentary on the sexualization and commodification of women in visual culture. Behind her, a bright red, abstract splash seems to evoke a burst of emotion or energy, contrasting with the warm beige background. The split composition, characteristic of Jones' work, creates a fragmented, collage-like effect that emphasizes both the allure and the constructed nature of the imagery.

Artwork Copyright © Allen Jones

Allen Jones

Life Class IX, 1968

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82 x 56   cm
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2 Sheets - Upper sheet signed 'Allen', lower sheet signed 'Jones' - Printed by Emile Matthieu, Zurich, co-published by Editions Alecto, London and Arts Moderna, Basel - Literature Richard Lloyd, Allen Jones Prints, Prestel, Munich/New York, 1995, no. 48 a-g, p. 118 // Allen Jones' 'Life Class IX' from 1968 is a bold and provocative lithograph that continues his exploration of female figures within the framework of pop art and societal commentary. The composition features a stylized woman sitting on a stool, her body exaggerated with exaggerated curves and sensuality, clothed in a black outfit. Her posture is confident, yet objectified, reflecting Jones' ongoing commentary on the sexualization and commodification of women in visual culture. Behind her, a bright red, abstract splash seems to evoke a burst of emotion or energy, contrasting with the warm beige background. The split composition, characteristic of Jones' work, creates a fragmented, collage-like effect that emphasizes both the allure and the constructed nature of the imagery.

Artwork Copyright © Allen Jones
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Allen Jones’ Catwalk, 1999, set of four limited edition prints with etching and aquatint, bold figures and dynamic movement, fashion-inspired themes.

Allen Jones

Catwalk, 1999

Limited Edition Print

Etching And Aquatint

USD 6,600

Allen Jones Maitresse I screen print, stylized woman with whip on warm gradient background, bold colors and playful lettering, 2016.

Allen Jones

Maitresse I, 2016

Limited Edition Print

Screen-print

EUR 2,800

Allen Jones's Two Part Invention, 2012, abstract lithograph of two mirrored figures in bright, expressive colors with faceless square heads.

Allen Jones

Two Part Invention, 2012

Limited Edition Print

Lithograph

EUR 2,500

Allen Jones Shoe Box set with aluminum high-heel sculpture, lithographs, and color print in custom black PVC case marked EXOTIC.

Allen Jones

Shoe Box, 1968

Sculpture / Object

Metal

GBP 7,000 - 10,000

Allen Jones’s Trick or Treat, 2000, lithograph of a man in a suit performing a trick for a woman, in vivid red, green, and black.

Allen Jones

Trick Or Treat, 2000

Limited Edition Print

Lithograph

EUR 1,000

Allen Jones’ Box, 1980, colorful lithograph with bright red border, central green area, and abstract forms suggesting shadows and reflections.

Allen Jones

Box, 1980

Limited Edition Print

Lithograph

USD 1,400

Allen Jones's Swing Low, 2012, lithograph of couple embracing in dynamic forms with bold yellow, green, and orange background.

Allen Jones

Swing Low, 2012

Limited Edition Print

Lithograph

EUR 2,500

Allen Jones's Gentlemen, 2012, lithograph depicting multiple human figures in dynamic interactions against a warm background.

Allen Jones

Gentlemen, 2012

Limited Edition Print

Lithograph

EUR 2,500

Allen Jones's Dancing Gate, 1993, mixed-media pochoir of two figures in warm tones enclosed within a gate-like frame.

Allen Jones

Dancing Gate, 1993

Limited Edition Print

Mixed Media

EUR 12,000

Allen Jones Just Like That lithograph, black-and-white figure reaching towards yellow burst of energy on dark brown and orange background.

Allen Jones

Just Like That, 2012

Limited Edition Print

Lithograph

EUR 2,500

Allen Jones Split Performance lithograph, divided scene with cubist figure, central figure in suit, and acrobat on yellow drapery background.

Allen Jones

Split Performance, 2012

Limited Edition Print

Lithograph

EUR 2,500

Allen Jones Second Thought lithograph, fragmented human forms in red, orange, and yellow tones, surreal and dynamic composition.

Allen Jones

Second Thought, 2012

Limited Edition Print

Lithograph

EUR 2,500

Allen Jones's Untitled from Concerning Marriages, 1964 lithograph with colorful abstract border surrounding central white space.

Allen Jones

Untitled From Concerning Marriages Series, Plate H, 1964

Limited Edition Print

Lithograph

USD 2,400

Allen Jones's Playtime, 1995 lithograph of surreal piano player in vibrant pink, yellow, green with fragmented limbs and reclining woman inset.

Allen Jones

Playtime, 1995

Limited Edition Print

Lithograph

USD 2,750

Allen Jones's No Strings, 1995 lithograph with abstracted figure in motion holding framed portrait, in green, red, and pink tones.

Allen Jones

No Strings, 1995

Limited Edition Print

Lithograph

USD 2,750

Allen Jones's High Society, 1985 black and white lithograph depicting social gathering with stylized figures in various postures and interactions.

Allen Jones

High Society, 1985

Limited Edition Print

Lithograph

USD 2,250

Allen Jones Greasepaint lithograph, black and white print with stylized, dramatic figures in segmented, theatrical scenes across a horizontal composition.

Allen Jones

Greasepaint, 1988

Limited Edition Print

Lithograph

USD 4,250

Allen Jones Catwalk II etching with central female figure illuminated on stage with bold colors and abstract surrounding shapes.

Allen Jones

Catwalk II, 1999

Limited Edition Print

Etching

EUR 2,500

Allen Jones Catwalk IV etching of stylized figures with spotlight projection effect, exploring themes of fashion and objectification.

Allen Jones

Catwalk IV, 1999

Limited Edition Print

Etching

EUR 2,500

Allen Jones Dance lithograph with abstract blue, red, and yellow shapes and gestural figure sketch suggesting movement and dance.

Allen Jones

Dance, 1999

Limited Edition Print

Lithograph

EUR 2,000

Allen Jones's Study for Night Fever, 1990, pencil drawing of a woman leaning forward in dynamic, expressive lines.

Allen Jones

Study For Night Fever, 1990

Drawing / Watercolor

Pencil

EUR 8,500

Allen Jones Cascade pencil drawing, two intertwined figures with extended arms, fluid lines, minimalist and dynamic composition.

Allen Jones

Cascade, 1999

Drawing / Watercolor

Pencil

EUR 8,500

Allen Jones' Maitresse Folio Screenprint II, screen-print; stylized female figure in corset against vibrant green, yellow, and red layers.

Allen Jones

Maitresse Folio Screenprint II, 2015

Limited Edition Print

Screen-print

Currently Not Available

Allen Jones Intro lithograph of stylized female figure in yellow suit gesturing toward abstract red shape against purple background.

Allen Jones

Intro

Limited Edition Print

Lithograph

Currently Not Available

Allen Jones Life Class VI lithograph with abstracted female figure in bold colors above, and photorealistic legs in blue tights below on orange background.

Allen Jones

Life Class VI, 1968

Limited Edition Print

Lithograph

Currently Not Available

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What is appropriation?
Artwork by Shepard Fairey

What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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