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// Catwalk IV by Allen Jones is a vibrant and stylized etching from 1999, showcasing the artist’s fascination with fashion, performance, and the female form. The composition features a surreal, almost theatrical scene with exaggerated figures in dynamic poses. A dominant figure appears to be projecting an illuminated image of a reclining woman, suggesting a spotlight effect or the act of capturing and projecting an idealized image. The use of bold colors, such as yellow, red, and green, combined with sweeping, fluid lines, creates a sense of movement and allure. This work reflects Jones' exploration of themes related to gender, objectification, and the power dynamics often present in fashion and media.
Catwalk IV, 1999
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Medium
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116 x 83 cm
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Details
Artist
Styles
// Catwalk IV by Allen Jones is a vibrant and stylized etching from 1999, showcasing the artist’s fascination with fashion, performance, and the female form. The composition features a surreal, almost theatrical scene with exaggerated figures in dynamic poses. A dominant figure appears to be projecting an illuminated image of a reclining woman, suggesting a spotlight effect or the act of capturing and projecting an idealized image. The use of bold colors, such as yellow, red, and green, combined with sweeping, fluid lines, creates a sense of movement and allure. This work reflects Jones' exploration of themes related to gender, objectification, and the power dynamics often present in fashion and media.
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Allen Jones
Untitled From Concerning Marriages Series, Plate H, 1964
Limited Edition Print
Lithograph
USD 2,400
Allen Jones
Maitresse Folio Screenprint II, 2015
Limited Edition Print
Screen-print
Currently Not Available
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
