Sam Francis

Untitled, 1984

106.7 X 73 inch

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Crying – Shouting – Screaming – Was Not going to help me Live

Tracey Emin’s No! This is Sad, 2022 lithograph, abstract figure sketched in expressive dark strokes on a light background.

Details

Kunstenaar

Stijlen

2 colour lithograph on Somerset Velvet Warm White 400gsm - Signed, numbered and dated by the artist - From series: A Journey To Death - Published by by Counter Studio, Margate. // No! This is Sad van Tracey Emin, gemaakt in 2022, is een lithografie in twee kleuren uit de serie A Journey To Death, gedrukt op Somerset Velvet Warm White 400gsm papier. Het kunstwerk toont een rauwe, emotioneel beladen figuur, getekend met expressieve en vloeiende lijnen. Emin's minimalistische maar krachtige gebruik van donkere streken tegen de lichte achtergrond roept een diep gevoel van verdriet en kwetsbaarheid op. De figuur lijkt gefragmenteerd en abstract, wat de emotionele diepgang en het persoonlijke karakter van het stuk versterkt, in lijn met Emin's verkenning van thema's zoals pijn, verlies en introspectie. Met een afmeting van 94 × 74 cm is deze gelimiteerde print gesigneerd, genummerd en gedateerd door de kunstenaar, en uitgegeven door Counter Studio in Margate. No! This is Sad nodigt de kijker uit in een diep persoonlijk moment, en biedt een venster op de kwetsbaarheid van menselijke emoties, terwijl het de kenmerkende mix van abstractie en intimiteit van de kunstenaar behoudt.

Artwork Copyright © Tracey Emin

Tracey Emin

No! This is sad, 2022

kunstvorm

Medium

Afmeting

94 x 74   cm
  • Inches
  • Centimeters

Editie

Prijs

  • USD
  • EUR
  • GBP

Details

Kunstenaar

Stijlen

2 colour lithograph on Somerset Velvet Warm White 400gsm - Signed, numbered and dated by the artist - From series: A Journey To Death - Published by by Counter Studio, Margate. // No! This is Sad van Tracey Emin, gemaakt in 2022, is een lithografie in twee kleuren uit de serie A Journey To Death, gedrukt op Somerset Velvet Warm White 400gsm papier. Het kunstwerk toont een rauwe, emotioneel beladen figuur, getekend met expressieve en vloeiende lijnen. Emin's minimalistische maar krachtige gebruik van donkere streken tegen de lichte achtergrond roept een diep gevoel van verdriet en kwetsbaarheid op. De figuur lijkt gefragmenteerd en abstract, wat de emotionele diepgang en het persoonlijke karakter van het stuk versterkt, in lijn met Emin's verkenning van thema's zoals pijn, verlies en introspectie. Met een afmeting van 94 × 74 cm is deze gelimiteerde print gesigneerd, genummerd en gedateerd door de kunstenaar, en uitgegeven door Counter Studio in Margate. No! This is Sad nodigt de kijker uit in een diep persoonlijk moment, en biedt een venster op de kwetsbaarheid van menselijke emoties, terwijl het de kenmerkende mix van abstractie en intimiteit van de kunstenaar behoudt.

Artwork Copyright © Tracey Emin
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Tracey Emin's If I Could Just Go Back & Start Again, offset lithograph, delicate nude female figure drawn with sparse lines.

Tracey Emin

If I Could Just Go Back & Start Again, 2005

Editie / Print

Offset Printen

GBP 4,600

Tracey Emin’s My Favourite Little Bird, offset print, features a blue neon-like bird perched on a branch against a black background.

Tracey Emin

My Favourite Little Bird, 2010

Editie / Print

Offset Printen

GBP 4,650

Tracey Emin's You Loved Me Like A Distant Star, digital print with neon-like heart and handwritten text in pink and green against a black background.

Tracey Emin

You Loved Me Like A Distant Star, 2016

Editie / Print

Digital Print Op Papier

GBP 4,800

Tracey Emin’s Love Is What You Want, 2011 neon print of a heart and handwritten text, signed in silver ink.

Tracey Emin

Love Is What You Want, 2011

Editie / Print

Gemengde Techniek.

GBP 5,500

Tracey Emin Choose Love lithograph showing reclining nude with expressive blue brushstrokes on warm white paper.

Tracey Emin

Choose Love, 2024

Editie / Print

Lithografie

Contacteer Ons

Tracey Emin Believe in Extraordinary lithograph with handwritten text and sketch of a bird on a branch, edition of 300

Tracey Emin

Believe In Extraordinary, 2015

Editie / Print

Lithografie

Contacteer Ons

Tracey Emin Self-Portrait 12.11.2001 color print of torso in black lace bra, intimate framing showing skin folds and natural form

Tracey Emin

Self-Portrait - 12.11.2001, 2001

Foto

Foto

Contacteer Ons

Tracey Emin Self-Portrait 12.11.2001 close-up color photo of artist in profile with layered chains and shoulder exposed, Polaroid aesthetic

Tracey Emin

Self-Portrait - 12.11.2001, 2001

Foto

Foto

Contacteer Ons

Tracey Emin The Stain hand-stitched booklet with stamped text and line drawings in black ink on small white folded paper

Tracey Emin

The Stain, 2007

Editie / Print

Gemengde Techniek.

GBP 2,950

Tracey Emin It's a Crime to Live with The Person You don’t Love giclée print of pink neon handwriting on black background

Tracey Emin

It's A Crime To Live With The Person You Don’t Love, 2021

Editie / Print

Giclée Print

GBP 3,000

Tracey Emin These Feelings Were True lithograph series showing expressive blue and black portraits with emotive linework and faces.

Tracey Emin

These Feelings Were True (Set Of 8), 2020

Editie / Print

Lithografie

Contacteer Ons

Tracey Emin A Deeper Place lithograph showing abstract nude in expressive burgundy brushstrokes on white background.

Tracey Emin

A Deeper Place, 2025

Editie / Print

Lithografie

USD 17,750

Tracey Emin’s On My Knees, 2021 lithograph, expressive sketch of a contorted figure in minimalist black lines on warm white paper.

Tracey Emin

On My Knees, 2021

Editie / Print

Lithografie

GBP 9,500

Tracey Emin’s The Best Conversation I Ever Had – Laughter, 2022 lithograph, minimal black strokes form an abstract figure in contemplative pose.

Tracey Emin

The Best Conversation I Ever Had – Laughter, 2022

Editie / Print

Lithografie

EUR 12,000

Tracey Emin’s No! This is Sad, 2022 lithograph, abstract figure sketched in expressive dark strokes on a light background.

Tracey Emin

No! This Is Sad, 2022

Editie / Print

Lithografie

EUR 15,000

Tracey Emin’s Crying – Shouting – Screaming – Was Not Going to Help Me Live, 2022 lithograph, abstract figure in expressive black strokes, distressed pose.

Tracey Emin

Crying – Shouting – Screaming – Was Not Going To Help Me Live, 2022

Editie / Print

Lithografie

EUR 14,000

Tracey Emin’s A Feeling of Shock, 2022 lithograph. Abstract female figure with expressive dark strokes, somber and contemplative mood.

Tracey Emin

A Feeling Of Shock, 2022

Editie / Print

Lithografie

EUR 10,000

Tracey Emin’s You Were There – Thank You, 2021 lithograph. Abstract female figure with dark expressive lines, melancholic and introspective.

Tracey Emin

You Were There - Thank You, 2021

Editie / Print

Lithografie

EUR 9,000

Tracey Emin’s And This Was Me A Thousand Years Ago, 2022 lithograph. Abstract figure with expressive dark strokes, introspective and reflective mood.

Tracey Emin

And This Was Me A Thousand Years Ago, 2022

Editie / Print

Lithografie

EUR 12,000

Tracey Emin’s Life Will Never Be The Same (Nor Should It), 2022 lithograph. Abstract figure enclosed by dark, expressive strokes, introspective mood.

Tracey Emin

Life Will Never Be The Same (Nor Should It), 2022

Editie / Print

Lithografie

EUR 18,000

Tracey Emin’s These Feelings Were True II, 2020 lithograph. Abstract portrait in expressive dark strokes, suggesting emotional depth and introspection.

Tracey Emin

These Feelings Were True II, 2020

Editie / Print

Lithografie

EUR 14,000

Tracey Emin’s These Feelings Were True, 2020 lithograph. Abstract portrait framed by soft blue background and expressive black lines.

Tracey Emin

These Feelings Were True, 2020

Editie / Print

Lithografie

EUR 16,000

Tracey Emin’s After the Shadow, 2020 lithograph. Abstract figure with face half-obscured by dark blue strokes, exploring light and shadow.

Tracey Emin

After The Shadow, 2020

Editie / Print

Lithografie

EUR 14,000

Tracey Emin’s A Journey To Death (Set of 10) features loosely sketched dark blue and black figures and faces on white backgrounds, exploring existential themes.

Tracey Emin

A Journey To Death (Set Of 10), 2022

Editie / Print

Lithografie

Contacteer Ons

Tracey Emin But Yea offset lithograph; white neon-like lines forming female figure with glowing handwritten text But Yea on dark background.

Tracey Emin

But Yea, 2015

Editie / Print

Offset Printen

USD 2,600

Tracey Emin's Untitled (Nativity Series), 2013, giclée print of a red sketch showing a woman kneeling next to a cat with a starburst overhead.

Tracey Emin

Nativity Series (cat), 2013

Editie / Print

Giclée Print

GBP 900

Tracey Emin's Untitled (Nativity Series), 2013, giclée print of a red sketch showing a kneeling woman holding a small stool on a neutral background.

Tracey Emin

Nativity Series (kneeling), 2013

Editie / Print

Giclée Print

GBP 950

Tracey Emin's Closed, etching, two figures seated behind a table with text THE ROOM IS CLOSED underneath.

Tracey Emin

Closed, 2013

Editie / Print

Ets

GBP 3,900

Tracey Emin’s The Sex Series (2013), set of 5 giclée prints, minimalist line drawings of figures in sexual poses.

Tracey Emin

The Sex Series (set Of 5), 2013

Editie / Print

Giclée Print

GBP 6,850

Tracey Emin's The Kiss Was Beautiful, digital print, neon-like pink heart with blue handwritten text on a black background.

Tracey Emin

The Kiss Was Beautiful, 2012

Editie / Print

Digital Print Op Papier

GBP 4,800

Tracey Emin’s The Wedding, 2019 bronze sculpture with abstract, rough-textured form suggesting two merging figures.

Tracey Emin

The Wedding, 2019

Sculptuur / Object

Brons

GBP 13,000 - 17,000

Tracey Emin's The Kiss, polymer gravure etching, showing a minimalist drawing of two figures kissing, with text below.

Tracey Emin

The Kiss, 2011

Editie / Print

Ets

GBP 3,500

Tracey Emin's I Kiss You (Kentish Town), a C-print photo of a dry-cleaner's storefront with a neon sign reading I Kiss You.

Tracey Emin

I Kiss You (Kentish Town), 2015

Foto

C-Print

GBP 4,400

Tracey Emin's The Beginning of Me, three-color screen print on cotton fabric depicting a reclining nude figure in minimalist blue lines.

Tracey Emin

The Beginning Of Me, 2012

Editie / Print

Zeefdruk

GBP 4,250

Tracey Emin's Over And Out, 2020, lithograph, black expressive lines form a pensive face on a white background.

Tracey Emin

Over And Out, 2020

Editie / Print

Lithografie

GBP 7,000 - 10,000

Tracey Emin's Me - May 2019, 2020, lithograph, black and blue sketch of a contemplative face on a white background.

Tracey Emin

Me - May 2019, 2020

Editie / Print

Lithografie

GBP 7,000 - 10,000

Tracey Emin's I Couldn't Tell Anyone I Loved You, 2020, black-and-white lithograph, loosely sketched female figure in introspective posture.

Tracey Emin

I Couldn't Tell Anyone I Loved You, 2020

Editie / Print

Lithografie

GBP 8,000 - 10,000

Tracey Emin's Just Waiting, 2022, lithograph with loose blue and black lines depicting a reclining figure in a contemplative posture.

Tracey Emin

Just Waiting, 2022

Editie / Print

Lithografie

GBP 8,000 - 10,000

Tracey Emin’s iPad Sketches - Nativity set of 5, 2013, red line drawings depicting simple, expressive figures on a neutral background.

Tracey Emin

Ipad Sketches - Nativity Set Of 5, 2013

Editie / Print

Giclée Print

GBP 3,350

Tracey Emin’s Tattoo, 2001, diptych with handwritten text and Polaroid-style images of tattoos, merging personal narrative with visual documentation.

Tracey Emin

Tatoo, 2001

Editie / Print

Offset Printen

GBP 4,700

Tracey Emin, Curled Up, lithograph showing a reclining female figure in blue strokes on warm white paper in a fetal position.

Tracey Emin

Curled Up, 2022

Editie / Print

Lithografie

USD 8,400

Tracey Emin's Hurt Heart, 2022, lithograph featuring expressive abstract figure with fluid, intertwined lines, conveying vulnerability and introspection.

Tracey Emin

Hurt Heart, 2022

Editie / Print

Lithografie

GBP 12,900

Tracey Emin, You Forgot Who You Are, minimalist etching of a solitary figure standing at a table with sparse line work.

Tracey Emin

You Forgot Who You Are, 2013

Editie / Print

Ets

GBP 3,500

Tracey Emin Grand Hotel I lithograph, minimalistic reclining figure in expressive, fluid lines on white background.

Tracey Emin

Grand Hotel I, 2016

Editie / Print

Lithografie

GBP 13,500

Tracey Emin I Loved My Innocence lithograph, minimalist reclining figure with fluid blue lines, conveying vulnerability and introspection.

Tracey Emin

I Loved My Innocence, 2019

Editie / Print

Lithografie

EUR 5,800

Tracey Emin’s Even Saying Nothing Is a Lie, 2022 lithograph, abstract face with dark expressive lines and handwritten text above, introspective mood.

Tracey Emin

Even Saying Nothing Is A Lie, 2022

Editie / Print

Lithografie

EUR 9,500

Tracey Emin’s Then I Wasn’t Alone Life Was Here, 2022 lithograph. Abstract female figure with darkened side of face, exploring introspection.

Tracey Emin

Then I Wasn’t Alone Life Was Here, 2022

Editie / Print

Lithografie

EUR 11,000

Tracey Emin’s Blue Madonna, 2020 lithograph. Abstract Madonna-like figure in expressive blue strokes, faint facial features, emotional depth.

Tracey Emin

Blue Madonna, 2020

Editie / Print

Lithografie

EUR 18,000

Tracey Emin, My Heart Is With You Always, embroidered napkin in blue and pink thread showing a heart with hand-stitched text.

Tracey Emin

Tracey Emin, My Heart Is With You Always - Embroidered Napkin (Blue/Pink), 2015

Editie / Print

Gemengde Techniek.

Momenteel Niet Beschikbaar

Tracey Emin's Pregnant etching of a nude kneeling figure in minimal line drawing, expressing vulnerability and introspection.

Tracey Emin

Pregnant, 2011

Editie / Print

Gemengde Techniek.

Momenteel Niet Beschikbaar

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Wie zijn de Young British Artists-YBA's
Artwork by Damien Hirst

Wie zijn de Young British Artists-YBA's

Young British Artists (YBAs), ook bekend als Britart of Brit kunstenaars, verwijst naar een groep kunstenaars die in 1988 samen begonnen te exposeren in Londen. De meesten van hen studeerden eind jaren 1980 af aan de BA Fine Arts-opleiding van Goldsmiths. De YBAs staan bekend om hun wilde levensstijl, het gebruik van onconventionele materialen en een combinatie van ondernemende en oppositionele houdingen. Ze domineerden de Britse kunstscene in de jaren 1990 en kregen veel media-aandacht. Veel van deze kunstenaars werden aanvankelijk ondersteund en verzameld door Charles Saatchi, een sleutelfiguur in hun opkomst.

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