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Untitled, 1984

106.7 X 73 inch

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Robert RAUSCHENBERG | L.A. Uncovered # 7 | Screen-print available for sale on composition gallery

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Screenprint on John Koller HMP white - Hand signed, numbered and dated in pencil - Series: L.A. Uncovered - Published by Gemini G.E.L.

Artwork Copyright © Robert Rauschenberg

Robert Rauschenberg

L.A. Uncovered # 7, 1998

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Afmeting

81.3 x 59.7   cm
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  • Centimeters

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Screenprint on John Koller HMP white - Hand signed, numbered and dated in pencil - Series: L.A. Uncovered - Published by Gemini G.E.L.

Artwork Copyright © Robert Rauschenberg
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Robert Rauschenberg's Studies for Chinese Summerhall, Painted Lamp, 1983 C-print, depicts a dimly lit bedside table with a traditional lamp and a vintage red telephone.

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Editie / Print

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Robert Rauschenberg, Tribute 21: Art, lithograph, 1994. Collage with abstract blue and pink gradient and a photo of construction debris.

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USD 4,950

Robert Rauschenberg, Tibetan Keys (Rectangle), mixed-media sculpture, 1987; rectangular form with photo-screenprinted images of yellow roses and architecture.

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Robert Rauschenberg's Tibetan Keys (Double Bevel), 1987, trapezoidal mixed media sculpture with photo-screenprinted decals and vibrant visuals.

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Editie / Print

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Robert Rauschenberg’s Rays, lithograph and screenprint, features abstract shapes, a bat, a moon-like object, and a red square in a layered composition.

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Editie / Print

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Editie / Print

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Editie / Print

Zeefdruk

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Robert Rauschenberg's Page III, handmade paper with central square cutout, emphasizing texture and negative space.

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Editie / Print

Gemengde Techniek.

Contacteer Ons

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Wat is Appropriation ?
Artwork by Shepard Fairey

Wat is Appropriation ?

Toe-eigening in de kunst omvat het gebruik van bestaande beelden of objecten met weinig tot geen aanpassing. Deze techniek heeft een belangrijke rol gespeeld in verschillende kunstvormen, waaronder beeldende kunst, muziek, performance en literatuur. In de beeldende kunst verwijst toe-eigening naar de praktijk van het adopteren, samplen, recyclen of lenen van elementen—of zelfs hele vormen—van de bestaande visuele cultuur, om ze in nieuwe werken te integreren en zo betekenis te creëren of kritiek te uiten.

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