Sam Francis

Untitled, 1984

106.7 X 73 inch

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Robert Rauschenberg’s One More & We Will Be More Than Halfway There screen print with layered abstract forms, stripes, and text.

Details

Kunstenaar

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Signed, dated and numbered - Printed by Styria Studios, New York - Published by Multiples, Inc., New York. // One More & We Will Be More Than Halfway There (1979) van Robert Rauschenberg is een zeefdruk in beperkte oplage die de kenmerkende aanpak van de kunstenaar laat zien, waarbij beelden en texturen worden gelaagd. Dit werk integreert een verscheidenheid aan abstracte vormen, strepen en fotografische elementen, wat een collage-achtige compositie oplevert die Rauschenbergs fascinatie voor alledaagse beelden belichaamt. De combinatie van warme gele tinten met gedempte rood- en bruintinten geeft de print een getextureerd, organisch gevoel. Tekstfragmenten en gevonden beelden worden op een manier gelaagd die zowel beweging als reflectie suggereert, in lijn met Rauschenbergs streven om de kloof tussen hoge kunst en populaire cultuur te overbruggen.

Artwork Copyright © Robert Rauschenberg

Robert Rauschenberg

One More & We Will Be More Than Halfway There, 1979

kunstvorm

Medium

Afmeting

76.2 x 55.9   cm
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Editie

Prijs

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Details

Kunstenaar

Stijlen

Signed, dated and numbered - Printed by Styria Studios, New York - Published by Multiples, Inc., New York. // One More & We Will Be More Than Halfway There (1979) van Robert Rauschenberg is een zeefdruk in beperkte oplage die de kenmerkende aanpak van de kunstenaar laat zien, waarbij beelden en texturen worden gelaagd. Dit werk integreert een verscheidenheid aan abstracte vormen, strepen en fotografische elementen, wat een collage-achtige compositie oplevert die Rauschenbergs fascinatie voor alledaagse beelden belichaamt. De combinatie van warme gele tinten met gedempte rood- en bruintinten geeft de print een getextureerd, organisch gevoel. Tekstfragmenten en gevonden beelden worden op een manier gelaagd die zowel beweging als reflectie suggereert, in lijn met Rauschenbergs streven om de kloof tussen hoge kunst en populaire cultuur te overbruggen.

Artwork Copyright © Robert Rauschenberg
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Robert Rauschenberg's Tibetan Keys (Bevel) sculpture, mixed media with photo-screenprinted Buddha and faucet imagery, angled design.

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Tibetan Keys (Bevel), 1987

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Robert Rauschenberg's Studies for Chinese Summerhall, Painted Lamp, 1983 C-print, depicts a dimly lit bedside table with a traditional lamp and a vintage red telephone.

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Studies For Chinese Summerhall, Painted Lamp, 1983

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Robert Rauschenberg's One Lioner, lithograph; two figures interacting with abstract shapes and a lion’s head in the background.

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Robert Rauschenberg Opal Gospel screen print sculpture with ram image layered with poetic text on transparent plexiglass.

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Opal Gospel, 1971

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Robert Rauschenberg's Individual collage with paper, fabric, and a silk medallion on Chinese Xuan paper, featuring gold leaf in a Plexiglas box.

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USD 8,500

Robert Rauschenberg's Murmurs lithograph, warm orange palette, featuring text Yes, We're Open and a dog by a brick wall, 1991.

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USD 7,400

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Robert Rauschenberg Bradley Anagram inkjet dye transfer featuring Coca-Cola sign, white flower, and urban textures on paper.

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Bradley (Anagram), 1995

Editie / Print

Gemengde Techniek.

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Robert Rauschenberg's Pre-Morocco lithograph blends various patterns, grids, stripes, and photographic images in vibrant colors.

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Pre-Morocco, 1983

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Robert Rauschenberg's Page IV, 1974 mixed media with handmade paper sheets connected by a coiled string, minimalist and textured.

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Page IV, 1974

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Gemengde Techniek.

USD 1,250

Robert Rauschenberg, Tribute 21: Art, lithograph, 1994. Collage with abstract blue and pink gradient and a photo of construction debris.

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Tribute 21: Art, 1994

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USD 4,950

Robert Rauschenberg, Tibetan Keys (Rectangle), mixed-media sculpture, 1987; rectangular form with photo-screenprinted images of yellow roses and architecture.

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Tibetan Keys (Rectangle), 1987

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Gemengde Techniek.

USD 14,250

Robert Rauschenberg's Tibetan Keys (Double Bevel), 1987, trapezoidal mixed media sculpture with photo-screenprinted decals and vibrant visuals.

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Tibetan Keys (Double Bevel), 1987

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Gemengde Techniek.

USD 16,500

Robert Rauschenberg's Tribute 21: Labor lithograph, large hammer above a rustic house with blue sky background and textured effects.

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Tribute 21: Labor, 1994

Editie / Print

Lithografie

USD 6,750

Robert Rauschenberg's Tribute 21: Cinema lithograph, layered fragmented imagery with abstract textures and muted tones.

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Tribute 21: Cinema, 1994

Editie / Print

Lithografie

USD 4,950

Robert Rauschenberg's Relic (Speculations) screen-print, collage of fragmented images with industrial objects and abstract textures.

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Relic (Speculations), 1997

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Zeefdruk

USD 11,900

Robert Rauschenberg's Site lithograph, urban collage featuring OPTICIEN sign, bicycles, and layered architectural details.

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USD 6,750

Robert Rauschenberg’s Daydream (Speculations), screen print, shows layered images of domestic scenes with muted colors and overlapping visuals.

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Daydream (Speculations), 1997

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Zeefdruk

USD 12,950

Robert Rauschenberg’s Tribute 21: Education, lithograph, features abstract textures and layered imagery in muted tones of brown and gray.

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USD 4,950

Robert Rauschenberg’s Untitled (Doctors of the World), lithograph, shows layered imagery of a child, a basketball, flowers, and abstract patterns.

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Untitled (Doctor's Of The World), 1997

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Lithografie

USD 6,750

Robert Rauschenberg’s Rays, lithograph and screenprint, features abstract shapes, a bat, a moon-like object, and a red square in a layered composition.

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Lithografie

USD 9,950

Robert Rauschenberg's Bellini #5, intaglio print, blends Renaissance figures with bold orange and purple abstract marks and geometric patterns.

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Bellini #5, 1989

Editie / Print

Intaglio

USD 30,000 - 40,000

Robert Rauschenberg's Fence, lithograph, combines layered urban photographs and abstract brush strokes in earthy tones and deep blue.

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Fence, 1992

Editie / Print

Lithografie

USD 9,250

Robert Rauschenberg’s One More & We Will Be More Than Halfway There screen print with layered abstract forms, stripes, and text.

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One More & We Will Be More Than Halfway There, 1979

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USD 4,350

Robert Rauschenberg's Page III, handmade paper with central square cutout, emphasizing texture and negative space.

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Page III, 1974

Editie / Print

Gemengde Techniek.

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Robert Rauschenberg's The Tramp, collage with blue photo, abstract cream shapes, and textured embossing.

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The Tramp, 1974

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Gemengde Techniek.

USD 4,350

Robert Rauschenberg's Landmark, two-color lithograph with layered urban images, portraits, and abstract elements.

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Landmark, 1968

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USD 10,800

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Editie / Print

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Robert Rauschenberg's Local Color, monotype with urban photos, street scenes, objects, and an interior door.

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Editie / Print

Monotype

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Robert Rauschenberg's Brake, lithograph with abstract brushstrokes and images of astronauts from the Stoned Moon Series.

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Brake (Stoned Moon Series), 1969

Editie / Print

Lithografie

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Robert Rauschenberg's Bait, color lithograph with abstract shapes, diagrams, and human figures from the Stoned Moon Series.

Robert Rauschenberg

Bait (Stoned Moon Series), 1970

Editie / Print

Lithografie

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Robert Rauschenberg's Publicon Station V (1978), mixed media sculpture with wood, fabric, brick, chain, and mechanical components.

Robert Rauschenberg

Publicon Station V, 1978

Sculptuur / Object

Gemengde Techniek.

Contacteer Ons

Robert Rauschenberg's Happiness lithograph, 1994, collage of architectural drawings and floral imagery with blue, red, and earthy tones.

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Happiness, 1994

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Lithografie

USD 3,700

Robert RAUSCHENBERG | Untitled (Native American with Truck) | Pigment print available for sale on composition gallery

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EUR 2,850

Robert Rauschenberg’s Horsefeathers Thirteen I, mixed media print with collage and various textures on handmade paper, layered composition.

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USD 2,650

Robert Rauschenberg International Very Special Arts Festival lithograph with floral collage, abstract blocks, and central event text.

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Robert Rauschenberg Caucus 1997 serigraph with abstract forms and fragmented images, featuring dynamic gestural strokes.

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Robert Rauschenberg's Best Buddies, 1992 screen-print, combines pencil outline and monochrome photo collage of dogs, exploring commercial themes.

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Best Buddies, 1992

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Robert Rauschenberg's Opal Gospel Panel II, screen-print on Plexiglass, features geometric shapes and poetic text with fern-like patterns.

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Opal Gospel Panel II, 1971

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Robert Rauschenberg Tribute 21 Environment lithograph, layered abstract and industrial imagery with fragmented central figure.

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Tribute 21 (Environment), 1994

Editie / Print

Lithografie

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Robert Rauschenberg's Opal Gospel Panel III screen print on Plexiglass with a luminous, opalescent shape and poetic text on a gray background.

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Opal Gospel Panel III, 1971

Editie / Print

Zeefdruk

USD 2,400

Robert Rauschenberg's Opal Gospel Panel I screen-print on Plexiglass with a bighorn sheep image and inspirational text above.

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Opal Gospel Panel I, 1971

Editie / Print

Zeefdruk

USD 1,850

Robert Rauschenberg Richard Hines Gallery, Seattle, 1979 offset-lithograph collage with floral and plaid patterns, photos, and handwritten details.

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Richard Hines Gallery, Seattle, 1979

Editie / Print

Gemengde Techniek.

USD 3,200

Robert Rauschenberg, Lion Rhyme, lithograph, abstract composition with dark blue, black, and vivid orange shapes on layered textured background.

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Lion Rhyme, 1993

Editie / Print

Lithografie

Contacteer Ons

Robert Rauschenberg Most Visible Parts of the Sea mixed media print with red background, arranged scissors, and shadowy portrait.

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Most Visible Parts Of The Sea, 1979

Editie / Print

Gemengde Techniek.

USD 5,000

Robert Rauschenberg People Have Enough Trouble offset lithograph with collage elements, fragmented images with muted colors.

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People Have Enough Trouble..., 1979

Editie / Print

Offset Printen

USD 5,000

Robert Rauschenberg Shirtboards Morocco Italy mixed media collage with leaf sketches on textured brown board with large negative space.

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Shirtboards Morocco, Italy, 1991

Editie / Print

Collage

USD 2,650

Robert Rauschenberg's Opal Gospel Panel V, 1971 screen-print on Plexiglass, combines a foot image, nautilus shell, and text fragments for depth.

Robert Rauschenberg

Opal Gospel Panel V, 1971

Editie / Print

Zeefdruk

Contacteer Ons

Robert Rauschenberg photogravure Plate from Photogravures Suite 1; industrial scene with a sketched figure on horseback, black and white.

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Plate From Photogravures Suite 1, 1983

Editie / Print

Fotogravure

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Artwork by Shepard Fairey

Wat is Appropriation ?

Toe-eigening in de kunst omvat het gebruik van bestaande beelden of objecten met weinig tot geen aanpassing. Deze techniek heeft een belangrijke rol gespeeld in verschillende kunstvormen, waaronder beeldende kunst, muziek, performance en literatuur. In de beeldende kunst verwijst toe-eigening naar de praktijk van het adopteren, samplen, recyclen of lenen van elementen—of zelfs hele vormen—van de bestaande visuele cultuur, om ze in nieuwe werken te integreren en zo betekenis te creëren of kritiek te uiten.

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