Sam Francis

Untitled, 1984

106.7 X 73 inch

Uruguay

Uruguay

Contemporary Art in Uruguay is a dynamic and evolving field, reflecting the country's rich cultural heritage and innovative spirit. Uruguayan artists, through various mediums such as painting, sculpture, and digital art, explore themes ranging from political commentary to social issues and personal experiences. Institutions like the National Museum of Visual Arts in Montevideo have been instrumental in fostering this growth. Uruguayan contemporary art, thus, serves as a powerful platform for dialogue and expression, pushing boundaries and challenging conventions.

Marco Maggi

Fanfold II, 2014

Sculpture / Object

Mixed Media

EUR 9,000

Marco Maggi

Frozen mail , 2016

Limited Edition Print

Etching and Aquatint

EUR 2,800

Marco Maggi

Drawing Machine II (8), 2016

Sculpture / Object

Mixed Media

EUR 3,500

Marco Maggi

Fanfold I (12pc), 2014

Limited Edition Print

Etching

EUR 5,500

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Réalités Nouvelles

Réalités Nouvelles means new realities and refers to an exhibiting society founded in 1939 in Paris by Sonia Delaunay. The Salon des Réalités Nouvelles was dedicated to promoting abstract art, which it considered to be a new reality because it does not imitate the existing physical world. The movement emphasized that abstract art creates its own reality, independent of the external world, and played a significant role in the development and recognition of abstract art in the mid-20th century.

Body Print

A body print is an art technique where the artist uses their body as a printing plate. This can be done by smearing grease, margarine, or oil on the skin, hair, and clothes, then pressing the body against a surface like paper. The oiled imprint is then dusted with pigment. Unlike a self-portrait, a body print explores two competing concepts of identity rather than capturing a likeness of the artist. The method emphasizes the physicality of the body while questioning the boundaries between self-representation and abstraction.

Anti-art

Anti-Art refers to artwork that challenges traditional definitions of art. The term is often attributed to artist Marcel Duchamp, who pioneered the use of readymades—everyday objects presented as art. These works defied conventional expectations that art should adhere to traditional or high art standards.

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