Matt Mullican has been pursuing this mode of creation since he started working with hypnosis in the 1970s. His own arsenal of pictographs, along with numbers, signs, symbols, letters, and free form automatic drawings comprise his visual vocabulary. He often works on bed sheets, large papers or even walls using black acrylic ink to draw or paint.
« There is no difference between me looking at you and me looking at a ladder. They are the same because everything is simply abstract. »
Matt Mullican
Many who attend Matt Mullican's events discover that he has an inner self who he refers to as “that person”, who paints and writes spontaneously. Two representative works in Matt Mullican's style include: Untitled (Learning from that person’s work: city,
Read More Matt Mullican has been pursuing this mode of creation since he started working with hypnosis in the 1970s. His own arsenal of pictographs, along with numbers, signs, symbols, letters, and free form automatic drawings comprise his visual vocabulary. He often works on bed sheets, large papers or even walls using black acrylic ink to draw or paint.
« There is no difference between me looking at you and me looking at a ladder. They are the same because everything is simply abstract. »
Matt Mullican
Many who attend Matt Mullican's events discover that he has an inner self who he refers to as “that person”, who paints and writes spontaneously. Two representative works in Matt Mullican's style include: Untitled (Learning from that person’s work: city, red), 2009 and Untitled (Set of Four Signs), 1980. Matt Mullican, who earned a BFA degree from CalArts, has been a teacher and lecturer at The School of Visual Arts and Columbia University, New York; Chelsea College of Art and Design and The London Institute, England; and The Rijksakademie, Amsterdam.
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