
Details
Artist
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Lithograph printed in colours - Signed, numbered and dated on the front - Printed by IDEM, Paris. Published by Beijing Commune, Beijing. // In Brother and Sister, part of the Bloodline series, Zhang Xiaogang presents an intimate yet solemn portrait of two siblings. Rendered in his signature grayscale, with striking accents of color, the siblings are connected by fine red lines, symbolizing the invisible but powerful ties of family and heritage. The girl’s face is tinted in pink, a recurring motif in Zhang’s work that often reflects the emotional weight or individuality of the figure. Both wear red scarves, a reference to their ties to China’s collective history and the sociopolitical climate in which they grew up. Their expressions are serene but distant, evoking a sense of quiet alienation and introspection. Signed, numbered, and dated on the front, this lithograph was printed by IDEM in Paris and published by Beijing Commune, continuing Zhang’s exploration of identity, family, and cultural memory.
Brother and Sister (from Bloodline portfolio), 2006
form
Medium
Size
94 x 77 cm
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- USD
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Details
Artist
Styles
Lithograph printed in colours - Signed, numbered and dated on the front - Printed by IDEM, Paris. Published by Beijing Commune, Beijing. // In Brother and Sister, part of the Bloodline series, Zhang Xiaogang presents an intimate yet solemn portrait of two siblings. Rendered in his signature grayscale, with striking accents of color, the siblings are connected by fine red lines, symbolizing the invisible but powerful ties of family and heritage. The girl’s face is tinted in pink, a recurring motif in Zhang’s work that often reflects the emotional weight or individuality of the figure. Both wear red scarves, a reference to their ties to China’s collective history and the sociopolitical climate in which they grew up. Their expressions are serene but distant, evoking a sense of quiet alienation and introspection. Signed, numbered, and dated on the front, this lithograph was printed by IDEM in Paris and published by Beijing Commune, continuing Zhang’s exploration of identity, family, and cultural memory.
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What is Chinese contemporary art?
Chinese Contemporary Art is marked by a wide range of styles and experimental approaches. In the 1980s, avant-garde exhibitions were often shut down by government officials. The 1990s saw the rise of political pop and cynical realism, while China's One-Child Policy influenced artists to explore the individual as a subject matter.