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Aquatint and spite bite // Su Xiaobai's Kuanhou - Autumn (2015) is a limited edition aquatint that uses subtle gradations of dark and earthy tones to evoke a sense of depth and mystery. The central form, a softly blurred square with dark, nearly black hues, is framed by lighter edges, giving the impression of a shadowy portal or void. This monochromatic abstraction draws viewers into a meditative space, reminiscent of autumn's quiet, introspective atmosphere. Xiaobai’s expertise in creating texture through aquatint and spit bite techniques allows the piece to capture a profound sense of calm and timelessness, reflecting the transient beauty and melancholy of the season.
Kuanhou - Autumn , 2015
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Medium
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61 x 56.6 cm
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Details
Artist
Styles
Aquatint and spite bite // Su Xiaobai's Kuanhou - Autumn (2015) is a limited edition aquatint that uses subtle gradations of dark and earthy tones to evoke a sense of depth and mystery. The central form, a softly blurred square with dark, nearly black hues, is framed by lighter edges, giving the impression of a shadowy portal or void. This monochromatic abstraction draws viewers into a meditative space, reminiscent of autumn's quiet, introspective atmosphere. Xiaobai’s expertise in creating texture through aquatint and spit bite techniques allows the piece to capture a profound sense of calm and timelessness, reflecting the transient beauty and melancholy of the season.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
