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Photoetching and aquatint // Su Xiaobai's Big Inkstone 3 (2018) is an etching and aquatint that embodies a minimalist approach, focusing on texture and form. The composition presents a dark, square-like shape with subtle, distressed details around the edges, evoking the appearance of an aged inkstone. The central area holds a faint circular impression, adding depth and a sense of quiet introspection. The use of photoetching and aquatint techniques enhances the tactile quality of the work, giving it an organic and meditative character. This limited edition print, produced in an edition of 40, reflects Su Xiaobai's interest in the materiality and essence of objects, encouraging viewers to find beauty in simplicity.
Big Inkstone 3, 2018
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Medium
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76 x 77 cm
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Details
Artists
Styles
Photoetching and aquatint // Su Xiaobai's Big Inkstone 3 (2018) is an etching and aquatint that embodies a minimalist approach, focusing on texture and form. The composition presents a dark, square-like shape with subtle, distressed details around the edges, evoking the appearance of an aged inkstone. The central area holds a faint circular impression, adding depth and a sense of quiet introspection. The use of photoetching and aquatint techniques enhances the tactile quality of the work, giving it an organic and meditative character. This limited edition print, produced in an edition of 40, reflects Su Xiaobai's interest in the materiality and essence of objects, encouraging viewers to find beauty in simplicity.
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.