Sam Francis

Untitled, 1984

106.7 X 73 inch

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Charcoal, pastel, and colored pencil on paper // Wes Lang’s Offering is a mixed-media artwork that combines charcoal, pastel, and colored pencil on paper. The piece presents a haunting, symbolic composition, featuring cloaked skeletal figures and a human skull on the right side. The central area displays a small portrait of a woman, with a subtle skull floating beside her, seemingly merging innocence and mortality. The background blends bold black, pink, and green areas, creating a contrast between life and death. Lang’s work often explores themes of mortality, the human experience, and spiritual symbolism, and Offering seems to convey the inevitability of death and the transient nature of existence, depicted through both graphic and playful artistic elements.

Artwork Copyright © Wes Lang

Offering

form

Medium

Edition

Charcoal, pastel, and colored pencil on paper // Wes Lang’s Offering is a mixed-media artwork that combines charcoal, pastel, and colored pencil on paper. The piece presents a haunting, symbolic composition, featuring cloaked skeletal figures and a human skull on the right side. The central area displays a small portrait of a woman, with a subtle skull floating beside her, seemingly merging innocence and mortality. The background blends bold black, pink, and green areas, creating a contrast between life and death. Lang’s work often explores themes of mortality, the human experience, and spiritual symbolism, and Offering seems to convey the inevitability of death and the transient nature of existence, depicted through both graphic and playful artistic elements.

Artwork Copyright © Wes Lang

Wes Lang

For The Good Times, 2020

Limited Edition Print

Archival Print

Currently Not Available

Wes Lang

Standing On The Moon, 2013

Limited Edition Print

Archival Print

Currently Not Available

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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