Sam Francis

Untitled, 1984

106.7 X 73 inch

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Face of the believer

Wang Guangyi's Eternal Halo, 2004, oil painting of three heroic figures with a rifle, sledgehammer, and fist, white outlines on dark background.

Signed and dated -Wang Guangyi 2004- lower left - Provenance: Shanghart Gallery, Shanghai - Dominique & Sylvain L?vy collection, Paris // Eternal Halo by Wang Guangyi, painted in 2004, is an oil on canvas that encapsulates the aesthetics and themes of Chinese socialist realism while infusing a contemporary perspective. The artwork features three figures—two men and a woman—portrayed in stylized, heroic poses, each holding symbolic tools: a rifle, a sledgehammer, and a fist clenched in solidarity. The monochromatic palette with stark white outlines against a dark background emphasizes their forms, lending them an almost iconic quality. Radiating lines in the background create a halo effect, elevating the figures to near-mythical status. Known for critiquing propaganda and the commercialization of revolutionary imagery, Guangyi’s work often explores the intersections between ideology, nationalism, and consumerism. This unique piece, signed and dated by the artist, reflects Guangyi’s distinctive commentary on power and ideology through a mix of reverence and irony.

Artwork Copyright © Wang Guangyi

Eternal Halo, 2004

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Signed and dated -Wang Guangyi 2004- lower left - Provenance: Shanghart Gallery, Shanghai - Dominique & Sylvain L?vy collection, Paris // Eternal Halo by Wang Guangyi, painted in 2004, is an oil on canvas that encapsulates the aesthetics and themes of Chinese socialist realism while infusing a contemporary perspective. The artwork features three figures—two men and a woman—portrayed in stylized, heroic poses, each holding symbolic tools: a rifle, a sledgehammer, and a fist clenched in solidarity. The monochromatic palette with stark white outlines against a dark background emphasizes their forms, lending them an almost iconic quality. Radiating lines in the background create a halo effect, elevating the figures to near-mythical status. Known for critiquing propaganda and the commercialization of revolutionary imagery, Guangyi’s work often explores the intersections between ideology, nationalism, and consumerism. This unique piece, signed and dated by the artist, reflects Guangyi’s distinctive commentary on power and ideology through a mix of reverence and irony.

Artwork Copyright © Wang Guangyi

Wang Guangyi

Eternal Halo, 2004

Painting

Oil On Canvas

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Wang Guangyi

Face Of The Believer, 2003

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Lithograph

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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Wang Guangyi | Great Criticism - Gucci | Silkscreen available for sale on www.composition.gallery

Wang Guangyi

Great Criticism - Gucci, 2001

Limited Edition Print

Silkscreen

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