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Created for the Olympic Games 1972 Munchen // Big Foot (1972 Olympic Games, Munich) by Tom Wesselmann, created in 1970, is a bold and playful screen-print originally designed for the 1972 Munich Olympics. The artwork presents a close-up view of a large, simplified foot rendered in soft pink hues against a vibrant green background. Wesselmann’s style, known for its pop-art influence, emphasizes clean lines and flat colors, bringing attention to everyday forms and body parts with a lighthearted, graphic approach. Measuring 97 x 70 cm, this piece is part of a limited edition of 200 prints, blending humor with a minimalist aesthetic that captures the spirit of pop art in an Olympic context.
Big foot (1972 Olympic Games, Munchen), 1970
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97 x 70 cm
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Details
Artist
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Created for the Olympic Games 1972 Munchen // Big Foot (1972 Olympic Games, Munich) by Tom Wesselmann, created in 1970, is a bold and playful screen-print originally designed for the 1972 Munich Olympics. The artwork presents a close-up view of a large, simplified foot rendered in soft pink hues against a vibrant green background. Wesselmann’s style, known for its pop-art influence, emphasizes clean lines and flat colors, bringing attention to everyday forms and body parts with a lighthearted, graphic approach. Measuring 97 x 70 cm, this piece is part of a limited edition of 200 prints, blending humor with a minimalist aesthetic that captures the spirit of pop art in an Olympic context.
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Tom Wesselmann
Claire Sitting With Robe Half Off (Vivienne), 1993
Limited Edition Print
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Tom Wesselmann
Monica Sitting With Mondrian, 1989
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Tom Wesselmann
Great American Nude Cut-Out, 1970
Limited Edition Print
Mixed Media
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Tom Wesselmann
Monica Lying On Her Side With Scribble, 1990
Limited Edition Print
Lithograph
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
