
Details
Artist
Styles
Edition of 40 - Grano lithograph on rag paper - Signed and numbered on thefront - In pristine condition // Thomas Struth's Rose, Winterthur, 1991 is a delicate grano lithograph created in 1996, capturing a simple yet evocative image of a single rosebud amidst its natural surroundings. Measuring 61 by 49 cm, this limited edition print of 40 presents the rose in fine detail against a softly blurred background, focusing attention on the bud's vibrant color and fragile form. The play of sunlight and shadow across the leaves and petals adds depth, creating a sense of quiet contemplation. Struth’s photographic approach to this floral subject underscores the beauty in everyday moments, encouraging viewers to find significance in simplicity. Each print is signed and numbered, making it a refined piece that resonates with tranquility and admiration for nature's subtleties.
Rose, Winterthur, 1991, 1996
form
Medium
Size
61 x 49 cm
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- Centimeters
Edition
Price
Details
Artist
Styles
Edition of 40 - Grano lithograph on rag paper - Signed and numbered on thefront - In pristine condition // Thomas Struth's Rose, Winterthur, 1991 is a delicate grano lithograph created in 1996, capturing a simple yet evocative image of a single rosebud amidst its natural surroundings. Measuring 61 by 49 cm, this limited edition print of 40 presents the rose in fine detail against a softly blurred background, focusing attention on the bud's vibrant color and fragile form. The play of sunlight and shadow across the leaves and petals adds depth, creating a sense of quiet contemplation. Struth’s photographic approach to this floral subject underscores the beauty in everyday moments, encouraging viewers to find significance in simplicity. Each print is signed and numbered, making it a refined piece that resonates with tranquility and admiration for nature's subtleties.
What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.