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Screen print accompanied by a Book by Rudolf Carnap: "Scheinprobleme in der Philosophie. Das Fremdpsychische und der Realismusstreit" (Pseudo-Problems in Philosophy. The External World and the Debate on Realism); Release date: March 2006 Languages: German. Format: 24.3 × 16.3 cm. Edition of 200, signed and numbered. Ex Libris #9 (2006) by Thomas Demand is a screenprint accompanied by a reprint of Rudolf Carnap’s philosophical text Scheinprobleme in der Philosophie. The image depicts a desiccated, brown-leafed potted plant in stark lighting, evoking a sense of quiet decay and formal stillness. Characteristically, Demand photographs hyperreal paper constructions, and here, the artificiality of the object contrasts with the philosophical depth of Carnap’s treatise on pseudo-problems and realism. Part of the celebrated Ex Libris series, this edition highlights the personal intellectual influences on contemporary artists. The book and print are presented together in a signed, numbered edition of 200, giving new context and visibility to historical texts through an artist’s conceptual lens.
Ex Libris #9, 2006
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Details
Artist
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Screen print accompanied by a Book by Rudolf Carnap: "Scheinprobleme in der Philosophie. Das Fremdpsychische und der Realismusstreit" (Pseudo-Problems in Philosophy. The External World and the Debate on Realism); Release date: March 2006 Languages: German. Format: 24.3 × 16.3 cm. Edition of 200, signed and numbered. Ex Libris #9 (2006) by Thomas Demand is a screenprint accompanied by a reprint of Rudolf Carnap’s philosophical text Scheinprobleme in der Philosophie. The image depicts a desiccated, brown-leafed potted plant in stark lighting, evoking a sense of quiet decay and formal stillness. Characteristically, Demand photographs hyperreal paper constructions, and here, the artificiality of the object contrasts with the philosophical depth of Carnap’s treatise on pseudo-problems and realism. Part of the celebrated Ex Libris series, this edition highlights the personal intellectual influences on contemporary artists. The book and print are presented together in a signed, numbered edition of 200, giving new context and visibility to historical texts through an artist’s conceptual lens.
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What is the Dusseldorf school of photography?
The Düsseldorf School of Photography refers to a group of photographers who studied under Bernd and Hilla Becher at the Kunstakademie Düsseldorf during the 1970s. This group was known for its devotion to the black-and-white industrial images characteristic of the German tradition known as New Objectivity. The photographers focused on precise, methodical documentation of industrial structures, often using a detached and objective approach.
