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Screen print accompanied by a Book by Rudolf Carnap: "Scheinprobleme in der Philosophie. Das Fremdpsychische und der Realismusstreit" (Pseudo-Problems in Philosophy. The External World and the Debate on Realism); Release date: March 2006 Languages: German. Format: 24.3 × 16.3 cm. Edition of 200, signed and numbered. Ex Libris #9 (2006) by Thomas Demand is a screenprint accompanied by a reprint of Rudolf Carnap’s philosophical text Scheinprobleme in der Philosophie. The image depicts a desiccated, brown-leafed potted plant in stark lighting, evoking a sense of quiet decay and formal stillness. Characteristically, Demand photographs hyperreal paper constructions, and here, the artificiality of the object contrasts with the philosophical depth of Carnap’s treatise on pseudo-problems and realism. Part of the celebrated Ex Libris series, this edition highlights the personal intellectual influences on contemporary artists. The book and print are presented together in a signed, numbered edition of 200, giving new context and visibility to historical texts through an artist’s conceptual lens.
Ex Libris #9, 2006
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24.3 x 16.3 cm
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Details
Artist
Styles
Screen print accompanied by a Book by Rudolf Carnap: "Scheinprobleme in der Philosophie. Das Fremdpsychische und der Realismusstreit" (Pseudo-Problems in Philosophy. The External World and the Debate on Realism); Release date: March 2006 Languages: German. Format: 24.3 × 16.3 cm. Edition of 200, signed and numbered. Ex Libris #9 (2006) by Thomas Demand is a screenprint accompanied by a reprint of Rudolf Carnap’s philosophical text Scheinprobleme in der Philosophie. The image depicts a desiccated, brown-leafed potted plant in stark lighting, evoking a sense of quiet decay and formal stillness. Characteristically, Demand photographs hyperreal paper constructions, and here, the artificiality of the object contrasts with the philosophical depth of Carnap’s treatise on pseudo-problems and realism. Part of the celebrated Ex Libris series, this edition highlights the personal intellectual influences on contemporary artists. The book and print are presented together in a signed, numbered edition of 200, giving new context and visibility to historical texts through an artist’s conceptual lens.
What is conceptual art?
Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.
