Details
Artist
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Digital print with offset relief transfer mounted on Stonehenge paper. Signed and Numbered. Untitled (2023) by Rudolf Stingel is a digital print with offset relief transfer mounted on Stonehenge paper, measuring 22.5 x 27 inches and produced in an edition of 100. The work features a monochromatic image of a snow-covered mountain, partially obscured by a delicate overlay of textured white markings. These linear impressions resemble scratches, graffiti, or chemical residue, disrupting the pristine photographic surface. Stingel’s approach questions the boundary between mechanical reproduction and painterly gesture, merging digital precision with tactile imperfection. Signed and numbered, the piece exemplifies his ongoing exploration of surface, memory, and abstraction.
Untitled, 2023
form
Medium
Size
57.2 x 68.6 cm
- Inches
- Centimeters
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Details
Artist
Styles
Digital print with offset relief transfer mounted on Stonehenge paper. Signed and Numbered. Untitled (2023) by Rudolf Stingel is a digital print with offset relief transfer mounted on Stonehenge paper, measuring 22.5 x 27 inches and produced in an edition of 100. The work features a monochromatic image of a snow-covered mountain, partially obscured by a delicate overlay of textured white markings. These linear impressions resemble scratches, graffiti, or chemical residue, disrupting the pristine photographic surface. Stingel’s approach questions the boundary between mechanical reproduction and painterly gesture, merging digital precision with tactile imperfection. Signed and numbered, the piece exemplifies his ongoing exploration of surface, memory, and abstraction.
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
