
Published by Pace Editions, New York, to benefit NARAL.
Printed by Spring Street Workshop, New York.
Literature: Axsom/Platzker 233.
'Untitled (cage), from Art Pro-Choice II' by Ross Bleckner is a lithograph from 1991, measuring 51 × 41 cm, from the politically engaged print portfolio 'Art Pro-Choice II'. Vertical yellow and teal-green stripes fill the entire surface, their softly blurred edges giving the field a textile quality — the stripes read as both wallpaper and bars. A small, precisely rendered black-and-white bird stands in the lower-right quadrant, dwarfed by the repeating pattern around it. The work is hand-signed and from a numbered edition. Bleckner, whose paintings of the same period used abstraction and coded imagery to address the AIDS crisis, brings the same economy of means here: a single, isolated figure against an overwhelming geometric field, with the parenthetical title making the spatial logic of captivity explicit.
Untitled (cage), from Art Pro-Choice II, 1991
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Published by Pace Editions, New York, to benefit NARAL.
Printed by Spring Street Workshop, New York.
Literature: Axsom/Platzker 233.
'Untitled (cage), from Art Pro-Choice II' by Ross Bleckner is a lithograph from 1991, measuring 51 × 41 cm, from the politically engaged print portfolio 'Art Pro-Choice II'. Vertical yellow and teal-green stripes fill the entire surface, their softly blurred edges giving the field a textile quality — the stripes read as both wallpaper and bars. A small, precisely rendered black-and-white bird stands in the lower-right quadrant, dwarfed by the repeating pattern around it. The work is hand-signed and from a numbered edition. Bleckner, whose paintings of the same period used abstraction and coded imagery to address the AIDS crisis, brings the same economy of means here: a single, isolated figure against an overwhelming geometric field, with the parenthetical title making the spatial logic of captivity explicit.
Ross Bleckner
Untitled (cage), from Art Pro-Choice II, 1991
Limited Edition Print
Lithograph
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What is Neo-Geo?
Known as Neo-Geo for short, this movement uses geometric objects and shapes to create abstract artwork as a metaphor for society. Inspired by various 20th-century art styles, including minimalism and pop art, Neo-Geo emerged in the 1980s as a response to the industrialization and commercialization of the modern world. The movement reflects on the impact of mass production, consumerism, and technology, often critiquing the superficiality of contemporary culture through its abstract, geometric compositions.

Ross Bleckner
Untitled (cage), from Art Pro-Choice II, 1991
51 x 41 cm





















