Sam Francis

Untitled, 1984

106.7 X 73 inch

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Untitled (from Upstate - garage)

Richard Prince’s Fulton Ryder After Dark, 2012, offset lithograph showing a distressed woman in a dramatic vintage book cover style with a smaller reproduction next to it.

Offset lithograph in colors on wove paper - Hand-signed and numbered and dated by the artist in pencil // Richard Prince's Fulton Ryder After Dark (2012) is a limited edition offset lithograph that showcases his fascination with pulp fiction aesthetics and cultural appropriation. The piece features a reproduction of a vintage book cover, with the central image depicting a dramatic scene of a distressed woman. Rendered in vibrant colors against a deep blue backdrop, the artwork captures the essence of mid-20th-century paperback illustrations. To the right of the main image, Prince includes a smaller version of the book cover, mimicking a commercial format and emphasizing the piece's intertextual nature. This double presentation highlights Prince’s play with visual repetition and appropriation, a technique he frequently employs to critique and reinterpret cultural artifacts. The lithograph is hand-signed, numbered, and dated by the artist, confirming its status as part of an exclusive, limited run.

Artwork Copyright © Richard Prince

Fulton Ryder After Dark, 2012

form

Medium

Edition

Offset lithograph in colors on wove paper - Hand-signed and numbered and dated by the artist in pencil // Richard Prince's Fulton Ryder After Dark (2012) is a limited edition offset lithograph that showcases his fascination with pulp fiction aesthetics and cultural appropriation. The piece features a reproduction of a vintage book cover, with the central image depicting a dramatic scene of a distressed woman. Rendered in vibrant colors against a deep blue backdrop, the artwork captures the essence of mid-20th-century paperback illustrations. To the right of the main image, Prince includes a smaller version of the book cover, mimicking a commercial format and emphasizing the piece's intertextual nature. This double presentation highlights Prince’s play with visual repetition and appropriation, a technique he frequently employs to critique and reinterpret cultural artifacts. The lithograph is hand-signed, numbered, and dated by the artist, confirming its status as part of an exclusive, limited run.

Artwork Copyright © Richard Prince

Richard Prince

Protest Porfolio, 2014

Photography

Inkjet Print

EUR 12,000

Richard Prince

18 & Stormy, 2018

Limited Edition Print

Offset Print

Inquire For Price

Richard Prince

The Greeting Card Jokes #3: Canada Dry, 2011

Limited Edition Print

Mixed Media

GBP 5,400

Richard Prince

The Greeting Card Jokes #2: The Best Friend, 2011

Limited Edition Print

Mixed Media

GBP 5,400

Richard Prince

Pure Thoughts - Live Free Or Die, 2007

Sculpture / Object

Object

GBP 7,750

Richard Prince

Together, 2011

Limited Edition Print

Collage

GBP 6,590

Richard Prince

The Greeting Card Jokes (complete Set Of 3), 2011

Limited Edition Print

Mixed Media

GBP 14,950

Richard Prince

The Greeting Card Jokes: #1 The Fireman, 2011

Limited Edition Print

Mixed Media

GBP 5,400

Richard Prince

Fulton Ryder After Dark, 2012

Limited Edition Print

Offset Print

GBP 5,950

Richard Prince

Untitled (from Upstate - Garage), 1998

Photography

Photograph

USD 6,000

Richard Prince

Untitled (from Upstate - Nudes), 1998

Photography

Photograph

USD 9,500

Richard Prince

Instagram New Portraits - Queen Elizabeth II , 2015

Limited Edition Print

Offset Print

GBP 4,790

Richard Prince

Dude Ranch Nurse, 2008

Limited Edition Print

Mixed Media

GBP 7,500 - 10,000

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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