Miguel Chevalier – mini voxels light blue, 2015 – wood, LED animation
wood, LED animation
Miguel Chevalier’s Mini Voxels Light Blue is a dynamic sculpture crafted in 2015 from wood and LED animation, illustrating his mastery in integrating digital art with physical form. This cube-shaped piece is punctuated by an intricate grid pattern that reveals an entrancing blue LED display within. The light pulses and shifts, creating a sense of depth and movement, as though the cube contains an infinite series of digital waves. The contrast between the static, structured wooden frame and the animated blue light embodies the intersection of the tangible and virtual worlds. Chevalier, renowned for his exploration of digital aesthetics, uses Mini Voxels Light Blue to invite viewers into a meditative experience of light, space, and digital rhythm.
Artwork Copyright © Miguel Chevalier
Miguel Chevalier (France, 1959) is a pioneering digital and virtual artist who has utilized computers as his primary medium since 1978. His experimental, multidisciplinary work explores themes such as the interplay between nature and artifice, the dynamics of contemporary society, and the fusion of Islamic art motifs with digital technology. Chevalier's large-scale digital installations and sculptures, often created using 3D printing and laser cutting, have been exhibited worldwide, establishing him as a leading figure in digital art.
Artwork Copyright © Miguel Chevalier

mini voxels light blue, 2015

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wood, LED animation
Miguel Chevalier’s Mini Voxels Light Blue is a dynamic sculpture crafted in 2015 from wood and LED animation, illustrating his mastery in integrating digital art with physical form. This cube-shaped piece is punctuated by an intricate grid pattern that reveals an entrancing blue LED display within. The light pulses and shifts, creating a sense of depth and movement, as though the cube contains an infinite series of digital waves. The contrast between the static, structured wooden frame and the animated blue light embodies the intersection of the tangible and virtual worlds. Chevalier, renowned for his exploration of digital aesthetics, uses Mini Voxels Light Blue to invite viewers into a meditative experience of light, space, and digital rhythm.
Artwork Copyright © Miguel Chevalier
Miguel Chevalier (France, 1959) is a pioneering digital and virtual artist who has utilized computers as his primary medium since 1978. His experimental, multidisciplinary work explores themes such as the interplay between nature and artifice, the dynamics of contemporary society, and the fusion of Islamic art motifs with digital technology. Chevalier's large-scale digital installations and sculptures, often created using 3D printing and laser cutting, have been exhibited worldwide, establishing him as a leading figure in digital art.
Artwork Copyright © Miguel Chevalier
Miguel Chevalier – La Cannabis Sativa d’Edgar Poe Bleu Vert, 2025 – Acrylic sculpture

Miguel Chevalier

La Cannabis Sativa d’Edgar Poe Bleu Vert, 2025

Sculpture / Object

Acrylic sculpture

EUR 3,000

Miguel Chevalier – La Cannabis Sativa d’Edgar Poe Jaune Orange, 2025 – Acrylic sculpture

Miguel Chevalier

La Cannabis Sativa d’Edgar Poe Jaune Orange, 2025

Sculpture / Object

Acrylic sculpture

EUR 3,000

Miguel Chevalier – Meta cités filaire rouge, 2019 – Mixed Media

Miguel Chevalier

Meta cités filaire rouge, 2019

Limited Edition Print

Mixed Media

EUR 3,000

Miguel Chevalier – Meta cites light jaune vert, 2019 – Mixed Media

Miguel Chevalier

Meta cites light jaune vert, 2019

Limited Edition Print

Mixed Media

EUR 3,000

Miguel Chevalier – mini voxels light blue, 2015 – Mixed Media

Miguel Chevalier

mini voxels light blue, 2015

Sculpture / Object

Mixed Media

EUR 4,500

Miguel Chevalier – Mini voxels light red, 2015 – Mixed Media

Miguel Chevalier

Mini voxels light red, 2015

Sculpture / Object

Mixed Media

EUR 4,500

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What is site specific art?

What is site specific art?

Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.

Est. 2005 — twenty years of collecting, online.