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Hand-painted acrylic sculpture. Signed at the bottom. La Cannabis Sativa d’Edgar Poe Bleu Vert by Miguel Chevalier is a 2025 hand-painted acrylic sculpture that blends organic inspiration with a digital aesthetic. Presented within a transparent cylindrical case, the sculpture features a twisting, spiral form in bright green and blue, mimicking plant growth while evoking virtual, algorithmic structures. As part of Chevalier’s ongoing exploration of nature through digital art, this piece references Edgar Allan Poe and the cannabis plant, reinterpreting botanical forms through a technological lens. Created in an edition of 12, the vivid colors and mirrored base enhance its hypnotic presence and depth.
La Cannabis Sativa d’Edgar Poe Bleu Vert, 2025
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25 x 20 X 20 cm
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Details
Artist
Styles
Hand-painted acrylic sculpture. Signed at the bottom. La Cannabis Sativa d’Edgar Poe Bleu Vert by Miguel Chevalier is a 2025 hand-painted acrylic sculpture that blends organic inspiration with a digital aesthetic. Presented within a transparent cylindrical case, the sculpture features a twisting, spiral form in bright green and blue, mimicking plant growth while evoking virtual, algorithmic structures. As part of Chevalier’s ongoing exploration of nature through digital art, this piece references Edgar Allan Poe and the cannabis plant, reinterpreting botanical forms through a technological lens. Created in an edition of 12, the vivid colors and mirrored base enhance its hypnotic presence and depth.
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Miguel Chevalier
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Sculpture / Object
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EUR 3,000
Miguel Chevalier
La Cannabis Sativa D’Edgar Poe Jaune Orange, 2025
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EUR 3,000
Miguel Chevalier
Meta Cités Filaire Rouge, 2019
Limited Edition Print
Mixed Media
EUR 3,000
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Limited Edition Print
Mixed Media
EUR 3,000
Miguel Chevalier
Mini Voxels Light Blue, 2015
Sculpture / Object
Mixed Media
EUR 4,500
Miguel Chevalier
Mini Voxels Light Red, 2015
Sculpture / Object
Mixed Media
EUR 4,500
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Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
