Details
Artist
Styles
Brushed aluminum and Plexiglas; Signed and numbered on the certificate of authenticity. This work is from an edition of 100. The remaining work available has the colors: green, brown, orange and blue // Poetry must be made by all! Transform the world by Liam Gillick is a minimalist mixed media sculpture from 2004, crafted with brushed aluminum and Plexiglas. This piece, part of an edition of 100, embodies Gillick's focus on modern industrial aesthetics, with clean lines and layers of color visible through a slim, horizontal form. The bands of green, brown, orange, and blue subtly emerge beneath the metallic surface, creating a visual rhythm that hints at the layered complexity of societal transformation—a theme Gillick frequently explores. The title, with its bold, declarative message, challenges viewers to consider the role of creativity in enacting change.
Poetry must be made by all! Transform the world, 2004
form
Medium
Size
29.2 x 5.1 X 1.9 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Brushed aluminum and Plexiglas; Signed and numbered on the certificate of authenticity. This work is from an edition of 100. The remaining work available has the colors: green, brown, orange and blue // Poetry must be made by all! Transform the world by Liam Gillick is a minimalist mixed media sculpture from 2004, crafted with brushed aluminum and Plexiglas. This piece, part of an edition of 100, embodies Gillick's focus on modern industrial aesthetics, with clean lines and layers of color visible through a slim, horizontal form. The bands of green, brown, orange, and blue subtly emerge beneath the metallic surface, creating a visual rhythm that hints at the layered complexity of societal transformation—a theme Gillick frequently explores. The title, with its bold, declarative message, challenges viewers to consider the role of creativity in enacting change.
What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
