1988 by Kenny Scharf is a vibrant and surreal screen-print that combines elements of fantasy and urban environments with bold, fluid forms. The artwork features a backdrop of black and yellow dripping lines that resemble acid rain, creating a dynamic and somewhat dystopian atmosphere. In the foreground, surreal, twisting red and blue shapes interact with abstracted architectural structures, including skyscrapers and geometric buildings. A large palm tree-like structure anchors the composition, and floating orbs add to the otherworldly feel. Scharf's playful yet thought-provoking use of color and form creates a dreamlike world where natural elements and futuristic symbols coexist in a strange harmony, reflecting themes of environmental concern and urbanization.
Kenny Scharf (United States, 1958) is a contemporary artist known for his vibrant, cartoon-inspired paintings, sculptures, and installations. Emerging from New York's 1980s East Village art scene alongside Keith Haring and Jean-Michel Basquiat, Scharf's work blends pop culture imagery with surrealism, often featuring fantastical creatures and cosmic themes. His art has been exhibited internationally, including at the Whitney Museum of American Art.
Screen-printScreen printing is a technique where ink is transferred through a mesh onto a substrate, with areas blocked by a stencil to prevent ink from passing through. This method, also known as serigraphy or silkscreen printing, is commonly used to produce prints on posters, T-shirts, vinyl, stickers, wood, and other materials. The process is a type of stencil printing, allowing for vibrant, detailed designs on various surfaces.
1988 by Kenny Scharf is a vibrant and surreal screen-print that combines elements of fantasy and urban environments with bold, fluid forms. The artwork features a backdrop of black and yellow dripping lines that resemble acid rain, creating a dynamic and somewhat dystopian atmosphere. In the foreground, surreal, twisting red and blue shapes interact with abstracted architectural structures, including skyscrapers and geometric buildings. A large palm tree-like structure anchors the composition, and floating orbs add to the otherworldly feel. Scharf's playful yet thought-provoking use of color and form creates a dreamlike world where natural elements and futuristic symbols coexist in a strange harmony, reflecting themes of environmental concern and urbanization.
Kenny Scharf (United States, 1958) is a contemporary artist known for his vibrant, cartoon-inspired paintings, sculptures, and installations. Emerging from New York's 1980s East Village art scene alongside Keith Haring and Jean-Michel Basquiat, Scharf's work blends pop culture imagery with surrealism, often featuring fantastical creatures and cosmic themes. His art has been exhibited internationally, including at the Whitney Museum of American Art.
I want to bring art into the everyday life of everybody.
- Kenny Scharf
Kenneth R. "Kenny" Scharf is an American painter, sculptor, and filmmaker notable for his cartoon-like depictions of hyper-populated scenes in his work.
Scharf studied art at the Pratt Institute and the Art Students League of New York. Scharf's first solo show was at the Tony Shafrazi Gallery in 1982, and his works have been shown at several international art festivals, including the Whitney Biennial (1985, 1987), Venice Biennale (1984, 1999), and Documenta 8 (1987). His early influences include comic strips, cartoons, and toys.
Kenny Scharf's works are often surrealistic depictions of landscapes filled with cartoon-like people in various states of thought and action. His work has been described as "a cross between Walt Disney and Salvador Dali" by art critics due to his trademark subject matter consisting mainly of fragmented human figures in a state of awry. The common themes in Scharf's work are drugs, sexual activities, and outer space, including a series of paintings from the "Space Angels" period, which were inspired by the promotional artwork for pornographic films. (Artist Website)
Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.