Sam Francis

Untitled, 1984

106.7 X 73 inch

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Nemo Librizzi

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A Boy from Naples Year

Julian Schnabel, Allen (Cordial love), silkscreen with bold white stroke, yellow and blue background, and glossy resin finish.

From the series: View of Dawn from the tropics: "Allen (cordial love)" - Silkscreen on rag paper, hand-painted and poured resin // Julian Schnabel’s Allen (Cordial love) from the 1998 series View of Dawn from the Tropics is a silkscreen on rag paper, hand-painted and finished with poured resin. The artwork features a dynamic composition with a bold white stroke that cuts diagonally across the canvas, set against a backdrop of soft yellows and blues. The resin creates a glossy texture, enhancing the vividness and depth of the colors. Schnabel’s expressive use of paint and materials, combined with the abstract forms, evokes a sense of movement and fluidity, capturing an emotional and tropical atmosphere characteristic of his work.

Artwork Copyright © Julian Schnabel

Allen (Cordial love), 1998

form

Medium

Edition

From the series: View of Dawn from the tropics: "Allen (cordial love)" - Silkscreen on rag paper, hand-painted and poured resin // Julian Schnabel’s Allen (Cordial love) from the 1998 series View of Dawn from the Tropics is a silkscreen on rag paper, hand-painted and finished with poured resin. The artwork features a dynamic composition with a bold white stroke that cuts diagonally across the canvas, set against a backdrop of soft yellows and blues. The resin creates a glossy texture, enhancing the vividness and depth of the colors. Schnabel’s expressive use of paint and materials, combined with the abstract forms, evokes a sense of movement and fluidity, capturing an emotional and tropical atmosphere characteristic of his work.

Artwork Copyright © Julian Schnabel

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Julian Schnabel

Allen (Cordial Love), 1998

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Julian Schnabel

A Boy From Naples Year, 1986

Limited Edition Print

Mixed Media

Currently Not Available

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What is matter painting?

Matter painting is a technique that involves blending thick impasto paints with materials like cement, mud, sand, or shells. The term first emerged in the 1950s to describe the works of Belgian and Dutch painters who explored the physical properties of painting materials and the different ways paint could be manipulated. This approach emphasizes texture and the tactile qualities of the surface, creating a sculptural effect on the canvas.

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