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Sin Título 2 by Jordi Alcaraz, created in 2025, continues the artist’s exploration of transparency, gesture, and spatial ambiguity. Executed in mixed media within a wooden frame, the work layers sheets of acrylic marked with loose, black linear forms over a pale, textured background. These fluid lines, suspended in space, blur the boundary between drawing and sculpture. The interaction of light and shadow transforms the composition depending on the viewer’s angle, adding a dynamic, time-based quality. Like much of Alcaraz’s practice, the piece reflects on the act of seeing and the material fragility of the image.
Sin Título 2, 2025
form
Medium
Size
76 x 61 cm
- Inches
- Centimeters
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Price
Details
Artist
Styles
Sin Título 2 by Jordi Alcaraz, created in 2025, continues the artist’s exploration of transparency, gesture, and spatial ambiguity. Executed in mixed media within a wooden frame, the work layers sheets of acrylic marked with loose, black linear forms over a pale, textured background. These fluid lines, suspended in space, blur the boundary between drawing and sculpture. The interaction of light and shadow transforms the composition depending on the viewer’s angle, adding a dynamic, time-based quality. Like much of Alcaraz’s practice, the piece reflects on the act of seeing and the material fragility of the image.
What is Spatialism?
Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.
