Sam Francis

Untitled, 1984

106.7 X 73 inch

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Exercici de desaparició II

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Sin Título 1

Jordi Alcaraz Sin Título 2 mixed media with black linear forms on layered acrylic sheets in wooden frame with textured background

Sin Título 2 by Jordi Alcaraz, created in 2025, continues the artist’s exploration of transparency, gesture, and spatial ambiguity. Executed in mixed media within a wooden frame, the work layers sheets of acrylic marked with loose, black linear forms over a pale, textured background. These fluid lines, suspended in space, blur the boundary between drawing and sculpture. The interaction of light and shadow transforms the composition depending on the viewer’s angle, adding a dynamic, time-based quality. Like much of Alcaraz’s practice, the piece reflects on the act of seeing and the material fragility of the image.

Artwork Copyright © Jordi Alcaraz

Sin Título 2, 2025

form

Medium

Edition

Sin Título 2 by Jordi Alcaraz, created in 2025, continues the artist’s exploration of transparency, gesture, and spatial ambiguity. Executed in mixed media within a wooden frame, the work layers sheets of acrylic marked with loose, black linear forms over a pale, textured background. These fluid lines, suspended in space, blur the boundary between drawing and sculpture. The interaction of light and shadow transforms the composition depending on the viewer’s angle, adding a dynamic, time-based quality. Like much of Alcaraz’s practice, the piece reflects on the act of seeing and the material fragility of the image.

Artwork Copyright © Jordi Alcaraz

Jordi Alcaraz

Sense Títol I, 2024

Limited Edition Print

Mixed Media

Currently Not Available

Jordi Alcaraz

Formes D’escriure (I), 2022

Limited Edition Print

Mixed Media

Currently Not Available

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What is Spatialism?

Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.

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