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Lithograph in colors on T.H. Saunders Waterford. Signed and numbered to lower edge,with publisher's blindstamp. Printed by The Arion Press, San Francisco and published by Mangnolia Editions, Oakland, CA. Literature: Hurowitz 31-35. The life and opinions of Tristam Shandy 4 (Man and Woman in Bed, Obliterated; Hand Holding Fountain (The thing to be concealed)) (1988) by John Baldessari is a color lithograph that exemplifies his conceptual layering of image, erasure, and meaning. Printed on T.H. Saunders Waterford paper, the upper half of the composition features a black-and-white photo of a couple in bed, partially obscured by a pale blue wash confined within a red diamond outline. Below, a second image shows a hand gripping a fountain pen, rendered in crisp monochrome. The contrast between concealment and revelation underscores Baldessari’s interest in censorship, visual communication, and narrative ambiguity. Part of his Tristam Shandy series, this work continues the artist’s exploration of fragmentation and irony. Edition of 50 plus 15 HC.
The life and opinions of Tristam Shandy 4 (Man and Woman in Bed, Obliterated; Hand Holding Fountain (The thing to be concealed)), 1988
form
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75.6 x 52.1 cm
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Details
Artist
Styles
Lithograph in colors on T.H. Saunders Waterford. Signed and numbered to lower edge,with publisher's blindstamp. Printed by The Arion Press, San Francisco and published by Mangnolia Editions, Oakland, CA. Literature: Hurowitz 31-35. The life and opinions of Tristam Shandy 4 (Man and Woman in Bed, Obliterated; Hand Holding Fountain (The thing to be concealed)) (1988) by John Baldessari is a color lithograph that exemplifies his conceptual layering of image, erasure, and meaning. Printed on T.H. Saunders Waterford paper, the upper half of the composition features a black-and-white photo of a couple in bed, partially obscured by a pale blue wash confined within a red diamond outline. Below, a second image shows a hand gripping a fountain pen, rendered in crisp monochrome. The contrast between concealment and revelation underscores Baldessari’s interest in censorship, visual communication, and narrative ambiguity. Part of his Tristam Shandy series, this work continues the artist’s exploration of fragmentation and irony. Edition of 50 plus 15 HC.
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John Baldessari
Throwing Three Balls In The Air To Get A Straight Line (Best Of Thirty-Six Attempts), 1973
Photography
Offset Print
EUR 7,200
John Baldessari
Raised Eyebrows/Furrowed Foreheads (Red, White And Blue) From The Artist For Obama Portfolio, 2008
Limited Edition Print
Screen-print
USD 1,950
John Baldessari
Two Hands (With Distant Figure), 1989-1990
Limited Edition Print
Mixed Media
USD 5,500
John Baldessari
Two Figures (One With Shadow), 1986
Limited Edition Print
Etching And Aquatint
USD 2,500
John Baldessari
The Life And Opinions Of Tristam Shandy 5, 1988
Limited Edition Print
Lithograph
Currently Not Available
John Baldessari
The Life And Opinions Of Tristam Shandy 2 (Man Collapsed On Sofa; Man Tied To Chair), 1988
Limited Edition Print
Lithograph
Currently Not Available
John Baldessari
Visionaire 64 Art Portfolio (Blue), 2014
Limited Edition Print
Screen-print
Currently Not Available
What is Lettrism?
Lettrism is an art form that uses letters, words, and symbols to create artwork. The movement was established in Paris in the 1940s and later gained popularity in the 1950s in America. Lettrisme is the French spelling of the movement's name, derived from the French word for letter.
