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Cotton jacquard, with certificate numbered and signed by the artist - This listing is for a single piece of artwork. The images provided depict both the recto and the verso of the same artwork for reference. // This artwork features a textile piece in cotton jacquard, measuring 220 x 140 cm, showcasing a repetitive octopus motif across two panels. One panel has a mustard yellow background with ocean blue octopuses, while the other inverts the colors, presenting ocean blue with mustard yellow octopuses. The rhythmic arrangement of the octopus form is both playful and hypnotic, a nod to design traditions and textile artistry. Armleder references Gustav Klimt’s influence on Vienna’s artistic heritage, blending historical homage with contemporary abstraction. GOLD FISH examines visual identity, cultural motifs, and the intersection of art and design.
Gold Fish, 2016
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220 x 140 cm
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Details
Artist
Styles
Cotton jacquard, with certificate numbered and signed by the artist - This listing is for a single piece of artwork. The images provided depict both the recto and the verso of the same artwork for reference. // This artwork features a textile piece in cotton jacquard, measuring 220 x 140 cm, showcasing a repetitive octopus motif across two panels. One panel has a mustard yellow background with ocean blue octopuses, while the other inverts the colors, presenting ocean blue with mustard yellow octopuses. The rhythmic arrangement of the octopus form is both playful and hypnotic, a nod to design traditions and textile artistry. Armleder references Gustav Klimt’s influence on Vienna’s artistic heritage, blending historical homage with contemporary abstraction. GOLD FISH examines visual identity, cultural motifs, and the intersection of art and design.
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John Armleder
Gold Fish, 2016
Tapestry
Tapestry
EUR 1,400
John Armleder
Silver Fish, 2016
Tapestry
Tapestry
EUR 1,400
John Armleder
Étude, 1966
Drawing / Watercolor
Ink
EUR 4,000
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What is Colour Field Painting?
Colour Field Painting is an abstract style characterized by large areas of a single color or simple, solid colors. The term was first used in the 1950s to describe the work of three American Abstract Expressionist painters—Barnett Newman, Mark Rothko, and Clyfford Still. Their work emphasized the emotional power of color and the creation of vast, meditative spaces through expansive color fields.
