Sam Francis

Untitled, 1984

106.7 X 73 inch

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Passage De L'Egyptienne, 10

Joan Miró's Passage De L'Egyptienne 4, etching and aquatint on Japan Nacré Paper, abstract forms with bold black curves, red circle, and star.

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Suite: Passage de l'egyptienne’ (The Egyptian Woman Passes) - Etching and Aquatint on Japan Nacré Paper - Published by Robert Lydie Dutroux, Paris - Literature: 1. Dupin, J. (2001). Miró Engraver, Vol. IV 1976-1983. Paris: Éditeur Daniel Lelong. - Reference: Dupin 1191 - Cataloging number: 257. Listed on page 625 of Miró: Catalogue des Livres Ilustrées. Patrick Cramer. 1989. // Passage De L'Egyptienne 4 by Joan Miró, created in 1985, is a limited edition etching and aquatint on Japan Nacré Paper. The artwork's title, The Egyptian Woman Passes, evokes themes of ancient mystique, yet Miró’s abstract style offers an imaginative reinterpretation. A bold black curved line encloses a bright red circular form, while other splashes of color—blue and yellow—punctuate the composition. A subtle, textured background enhances the visual depth, with a small star-like form suggesting celestial or mythological references. Published by Robert Lydie Dutroux in Paris, this piece exemplifies Miró’s skill in merging symbolic abstraction with rich, tactile textures.

Artwork Copyright © Joan Miró

Joan Miró

Passage De L'Egyptienne 4, 1985

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64.5 x 45.8   cm
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Details

Artist

Styles

Suite: Passage de l'egyptienne’ (The Egyptian Woman Passes) - Etching and Aquatint on Japan Nacré Paper - Published by Robert Lydie Dutroux, Paris - Literature: 1. Dupin, J. (2001). Miró Engraver, Vol. IV 1976-1983. Paris: Éditeur Daniel Lelong. - Reference: Dupin 1191 - Cataloging number: 257. Listed on page 625 of Miró: Catalogue des Livres Ilustrées. Patrick Cramer. 1989. // Passage De L'Egyptienne 4 by Joan Miró, created in 1985, is a limited edition etching and aquatint on Japan Nacré Paper. The artwork's title, The Egyptian Woman Passes, evokes themes of ancient mystique, yet Miró’s abstract style offers an imaginative reinterpretation. A bold black curved line encloses a bright red circular form, while other splashes of color—blue and yellow—punctuate the composition. A subtle, textured background enhances the visual depth, with a small star-like form suggesting celestial or mythological references. Published by Robert Lydie Dutroux in Paris, this piece exemplifies Miró’s skill in merging symbolic abstraction with rich, tactile textures.

Artwork Copyright © Joan Miró
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Joan Miró’s El Cazador de Pulpos, 1969 etching and aquatint, features abstract biomorphic shapes in black against a green and yellow background.

Joan Miró

El Cazador De Pulpos, 1969

Limited Edition Print

Etching And Aquatint

EUR 18,200

Joan Miró's Passage De L'Egyptienne 4, etching and aquatint on Japan Nacré Paper, abstract forms with bold black curves, red circle, and star.

Joan Miró

Passage De L'Egyptienne 4, 1985

Limited Edition Print

Etching And Aquatint

EUR 7,200

Joan Miró's Passage De L'Egyptienne, 10, etching and aquatint on Japan Nacré paper, abstract forms in vibrant colors and black lines.

Joan Miró

Passage De L'Egyptienne, 10, 1985

Limited Edition Print

Etching And Aquatint

EUR 7,200

Mixed media print by Joan Miró, 1981, featuring abstract shapes in black, green, red, and blue with a yellow eye-like form and pink sphere.

Joan Miró

La Mangeuse De Crabes, 1981

Limited Edition Print

Mixed Media

EUR 9,500

Joan Miró's Album 21, Plate 15 - M1140, 1978, lithograph with large textured circles and vibrant abstract lines and shapes in red, green, yellow, and blue.

Joan Miró

Album 21, Plate 15 - M1140

Limited Edition Print

Lithograph

USD 6,100

Joan Miró's Le Roi des lapins, 1981, color etching with abstract rabbit-like figure, large round eyes, and colorful accents on a textured background.

Joan Miró

Le Roi Des Lapins, 1981

Limited Edition Print

Etching And Aquatint

EUR 9,600

Joan Miró lithograph for Galerie Maeght shows abstract figure with bold colors and dynamic shapes, signed and numbered.

Joan Miró

Galerie Maeght Exhibition Poster, 1978

Limited Edition Print

Lithograph

Inquire For Price

Minimalist abstract drypoint etching by Joan Miró with fluid black lines and small colored aquatint accents in blue, red, yellow, and green.

Joan Miró

Untitled X (from Flux De L'Aimant), 1964

Limited Edition Print

Etching And Aquatint

Inquire For Price

Joan Miró Untitled (1964), lithograph on Japon Nacre paper. Abstract composition with organic shapes, swirling patterns, and bold black lines.

Joan Miró

Untitled (from Quelques Fleurs Pour Des Amis), 1964

Limited Edition Print

Lithograph

Inquire For Price

Joan Miró lithograph Le Lézard aux Plumes d’Or 3, 1971, featuring bold black shapes, abstract figures, and vibrant red, blue, and green accents.

Joan Miró

Le Lezard Aux Plumes D'Ord 3, 1971

Limited Edition Print

Lithograph

Inquire For Price

Joan Miró lithograph Great Britain, 1974, featuring bold black abstract forms, dynamic lines, and surrealist elements on textured background.

Joan Miró

Great Britain, 1974

Limited Edition Print

Lithograph

Inquire For Price

Joan Miró I Work Like a Gardener 1964 lithograph featuring abstract black forms, colorful splatters, and delicate linework on paper.

Joan Miró

I Work Like A Gardener, 1964

Limited Edition Print

Lithograph

EUR 13,800

Joan Miró etching L'Étrangle, 1974, abstract composition with black sinuous lines, red, blue, and green forms, textured background.

Joan Miró

L'Étrangle (Dupin 651), 1974

Limited Edition Print

Etching And Aquatint

USD 35,000

Joan Miró etching La Créole, 1958, abstract human-like figure with circular head, bold black forms, textured body, on Arches paper.

Joan Miró

La Créole, 1958

Limited Edition Print

Etching And Aquatint

USD 8,700

Joan Miró lithograph Le Lézard aux plumes d'or, 1971, abstract black forms with bold primary colors on metallic background.

Joan Miró

Le Lézard Aux Plumes D'or: One Plate, 1971

Limited Edition Print

Lithograph

USD 7,400

Joan Miró, Préparatifs d'Oiseaux III, 1963, aquatint with colorful splashes and gestural lines on Rives BFK wove paper.

Joan Miró

Préparatifs D'Oiseaux III (Bird Preparations III), 1963

Limited Edition Print

Aquatint

USD 12,700

Joan Miró’s Le Jardin de Mousse, aquatint and carborundum on wove paper, with green textures, bold black shapes, and vibrant colors.

Joan Miró

Le Jardin De Mousse, 1968

Limited Edition Print

Aquatint

USD 18,000

Joan Miró’s Maîtres-Graveurs Contemporains, color lithograph on Japon nacré, with bold black lines and vivid primary colors.

Joan Miró

Maîtres-Graveurs Contemporains, 1970

Limited Edition Print

Lithograph

USD 8,500

Joan Miró Untitled, 1976 lithograph, abstract black lines with vibrant red, blue, yellow, and green elements, dynamic composition.

Joan Miró

Untitled (from Les Demeures D'hypnos Portfolio), 1976

Limited Edition Print

Lithograph

USD 4,270

Joan Miró Series III, etching retouched by hand, abstract colorful swirls on irregular parchment-like surface with central black etching.

Joan Miró

Series III, 1952

Limited Edition Print

Etching

EUR 25,900

Joan Miró’s The Riddled Angel (1973) etching with abstract black form, splashes of red, blue, green, and yellow shapes.

Joan Miró

The Riddled Angel, 1973

Limited Edition Print

Etching

EUR 10,700

Joan Miró’s Préparatifs d'oiseaux IV (1963) aquatint with abstract black lines, green arc, and colorful splashes of red, yellow, and blue.

Joan Miró

Préparatifs D'oiseaux IV, 1963

Limited Edition Print

Aquatint

EUR 7,790

Joan Miró’s L'oiseau mangeant le feu (1969) lithograph featuring abstract bird-like forms with splashes of red, green, blue, and yellow.

Joan Miró

L'oiseau Mangeant Le Feu, 1969

Limited Edition Print

Lithograph

EUR 7,200

Joan Miró’s El lagarto de las plumas de oro (1971) lithograph featuring bold black forms and angular red, blue, green, and yellow shapes.

Joan Miró

El Lagarto De Las Plumas De Oro, 1971

Limited Edition Print

Lithograph

EUR 7,200

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What is abstract art?
Artwork by Eduardo Chillida

What is abstract art?

Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.

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