Sam Francis

Untitled, 1984

106.7 X 73 inch

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D53 Before Conversation Fig.154

Jan De Cock's Nature morte with broken necklace, tall white mixed media sculpture with vessel and broken necklace atop, exploring impermanence.

Materials: wood, chipboard, clay, plaster, paint, high pressure laminate, jute, metal, glass, beans // Nature morte with broken necklace by Jan De Cock, created in 2013, is a mixed media sculpture that combines wood, chipboard, clay, plaster, paint, high-pressure laminate, jute, metal, glass, and beans. The piece is presented as a tall, cylindrical structure, mounted on a square platform, with a soft white palette that accentuates its minimalist aesthetic. At the top of the column-like base, an arrangement of objects includes a vessel and what appears to be fragments of a necklace, broken and casually draped. The restrained color scheme and diverse materials create a sense of fragility and contemplation, while the broken necklace suggests themes of impermanence, memory, and the passage of time. De Cock’s work often explores the intersections of form, function, and symbolism, inviting viewers to reflect on the transient nature of material possessions and their meanings.

Artwork Copyright © Jan De Cock

Nature morte with broken necklace, 2013

form

Medium

Edition

Materials: wood, chipboard, clay, plaster, paint, high pressure laminate, jute, metal, glass, beans // Nature morte with broken necklace by Jan De Cock, created in 2013, is a mixed media sculpture that combines wood, chipboard, clay, plaster, paint, high-pressure laminate, jute, metal, glass, and beans. The piece is presented as a tall, cylindrical structure, mounted on a square platform, with a soft white palette that accentuates its minimalist aesthetic. At the top of the column-like base, an arrangement of objects includes a vessel and what appears to be fragments of a necklace, broken and casually draped. The restrained color scheme and diverse materials create a sense of fragility and contemplation, while the broken necklace suggests themes of impermanence, memory, and the passage of time. De Cock’s work often explores the intersections of form, function, and symbolism, inviting viewers to reflect on the transient nature of material possessions and their meanings.

Artwork Copyright © Jan De Cock

Jan De Cock

Nature Morte With Monument, 2013

Sculpture / Object

Mixed Media

EUR 19,500

Jan De Cock

Nature Morte With Broken Necklace, 2013

Sculpture / Object

Mixed Media

EUR 19,500

Jan De Cock

D53 Before Conversation Fig.154, 2006

Tapestry

Tapestry

EUR 11,000

Jan De Cock

D53 Before Converdation Fig.271, 2006

Tapestry

Tapestry

EUR 7,500

Jan De Cock

D53 Before Conversation Fig.267, 2006

Tapestry

Tapestry

EUR 7,500

Jan De Cock

D53 Before Conversation - Fig323, 2006

Tapestry

Tapestry

EUR 6,500

Jan De Cock

D53 Before Conversation - Fig275, 2006

Tapestry

Tapestry

EUR 6,500

Jan De Cock

D53 Before Conversation - Fig252, 2006

Tapestry

Tapestry

EUR 6,500

Jan De Cock

Construction Module Tate Modern M8-D53-14022005 C, 2005

Sculpture / Object

Wood

Currently Not Available

Jan De Cock

Nature Morte With Thirty White Pearls, 2013

Sculpture / Object

Mixed Media

Currently Not Available

Jan De Cock

Nature Morte 3, 2013

Sculpture / Object

Mixed Media

Currently Not Available

Jan De Cock

Nature Morte, 2013

Sculpture / Object

Mixed Media

Currently Not Available

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What is conceptual art?

Sometimes referred to as Conceptualism, this is an art form where the idea(s) or concept(s) behind the work take precedence over material concerns and traditional aesthetics. Many conceptual artworks can be created by anyone simply by following written instructions. The concept or idea is the most essential aspect of the artwork.

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