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With certificate signed by the artist // D53 Before Conversation Fig.252 by Jan De Cock, created in 2006, is a tapestry that showcases a minimalist approach to architectural abstraction. This composition features a scattered arrangement of black geometric shapes across a light background, with clusters that evoke elements of modernist architecture. The isolated shapes, including lines and rectangular forms, appear to float in open space, contributing to a fragmented, almost deconstructed aesthetic. The lower right area includes a more defined structure resembling a building's interior section, adding contrast to the overall dispersal. De Cock’s work often reflects themes of spatial exploration and architectural perception, inviting viewers to interpret the disjointed patterns as components of an imagined, abstract space. The minimalist design emphasizes the tension between absence and presence, suggesting architectural forms without fully defining them.
D53 Before Conversation - Fig252, 2006
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243 x 200 cm
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Details
Artist
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With certificate signed by the artist // D53 Before Conversation Fig.252 by Jan De Cock, created in 2006, is a tapestry that showcases a minimalist approach to architectural abstraction. This composition features a scattered arrangement of black geometric shapes across a light background, with clusters that evoke elements of modernist architecture. The isolated shapes, including lines and rectangular forms, appear to float in open space, contributing to a fragmented, almost deconstructed aesthetic. The lower right area includes a more defined structure resembling a building's interior section, adding contrast to the overall dispersal. De Cock’s work often reflects themes of spatial exploration and architectural perception, inviting viewers to interpret the disjointed patterns as components of an imagined, abstract space. The minimalist design emphasizes the tension between absence and presence, suggesting architectural forms without fully defining them.
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What is Found Object?
A found object is a term used to describe a man-made or natural object, or a fragment of one, that an artist discovers or purchases and keeps for inspiration or as a work of art. The artist may also modify the object or incorporate it into a collage or assemblage, transforming it into a new piece of art.
