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Original aquatint on steel, signed in pencil by the artist. Presses du Jardin Ed., Nîmes. // Carn by James Turrell, created in 1988, is an aquatint etching that embodies the artist’s exploration of light, perception, and spatial ambiguity. The artwork presents a stark white, luminous rectangular form suspended against a dark, shadowy background, creating a minimalist yet powerful composition. The floating box-like shape appears to glow, drawing the viewer’s attention and creating a sense of depth and mystery. Turrell, known for his work with light and space, captures an almost metaphysical atmosphere, where the shape feels both tangible and ethereal. This limited edition print, signed by the artist, measures 76 x 56 cm, demonstrating Turrell’s ability to use minimal forms to evoke profound visual and emotional experiences.
Carn, 1988
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Size
76 x 56 cm
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Details
Artist
Styles
Original aquatint on steel, signed in pencil by the artist. Presses du Jardin Ed., Nîmes. // Carn by James Turrell, created in 1988, is an aquatint etching that embodies the artist’s exploration of light, perception, and spatial ambiguity. The artwork presents a stark white, luminous rectangular form suspended against a dark, shadowy background, creating a minimalist yet powerful composition. The floating box-like shape appears to glow, drawing the viewer’s attention and creating a sense of depth and mystery. Turrell, known for his work with light and space, captures an almost metaphysical atmosphere, where the shape feels both tangible and ethereal. This limited edition print, signed by the artist, measures 76 x 56 cm, demonstrating Turrell’s ability to use minimal forms to evoke profound visual and emotional experiences.
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.