Sam Francis

Untitled, 1984

106.7 X 73 inch

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Chinese Shanshui Tattoo

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Landscape

Huang Yan's diptych Face Tattoo, 2005, photograph, man’s face painted with traditional Chinese winter landscape scene.
Huang Yan is a contemporary multimedia artist from Beijing, China. He currently lectures at Changchun University. He combines painting, photography and sculpture to create his artwork. Yan is most famous for using human beings as canvas, painting landscapes, patterns and flowers on people's faces and bodies. The photographs Read More
Artwork Copyright © Huang Yan

Face tattoo , 2005

form
Medium

Chinese landscape series: Winter (2 works, 150 x 120 cm each) // Face Tattoo by Huang Yan, part of (...) Show More
Huang Yan is a contemporary multimedia artist from Beijing, China. He currently lectures at Changchun University. He combines painting, photography and sculpture to create his artwork. Yan is most famous for using human beings as canvas, painting landscapes, patterns and flowers on people's faces and bodies. The photographs Read More
Artwork Copyright © Huang Yan

Huang Yan

Chinese Shanshui Tattoo, 1999

Photography

Photograph

EUR 3,670

Huang Yan

Face Tattoo , 2005

Photography

Photograph

USD 16,000

Huang Yan

Landscape

Photography

Lambda Print

EUR 10,150

Huang Yan

Bird Tiantan No.1, 2006

Photography

Photograph

USD 4,850

Huang Yan

Pinaster Landscape Diptych, 2007

Photography

Photograph

Inquire For Price

Huang Yan

Mao With Dragons, 2008

Limited Edition Print

Mixed Media

USD 950

Huang Yan

Temple Of Heaven, 2008

Limited Edition Print

Giclée Printing

USD 940

Huang Yan

Self Portrait, 2008

Limited Edition Print

Mixed Media

USD 1,250

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What is appropriation?

Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.

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