Details
Artist
Styles
Etching and aquatint with hand-coloring on Hahnemühle paper. - Initialed in pencil, dated '85' and numbered. - Published by Petersburg Press, New York and London; Printed by Atelier Crommelynck, Paris, hand-colored by Cinda Sparling, New York. David’s Pool at Night (1979–1985) by Howard Hodgkin is a richly textured print combining etching, aquatint, and hand-coloring. This abstract composition evokes the shimmering surface and reflections of a pool at night through bold gestural forms and dense layering of black and gray tones. Printed by Atelier Crommelynck in Paris and hand-colored by Cinda Sparling in New York, the work reflects Hodgkin’s painterly approach to printmaking. Issued in an edition of 100 plus artist’s proofs, this piece was published by Petersburg Press in New York and London.
David's Pool at Night, 1979-85
form
Medium
Size
63.8 x 77.8 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Etching and aquatint with hand-coloring on Hahnemühle paper. - Initialed in pencil, dated '85' and numbered. - Published by Petersburg Press, New York and London; Printed by Atelier Crommelynck, Paris, hand-colored by Cinda Sparling, New York. David’s Pool at Night (1979–1985) by Howard Hodgkin is a richly textured print combining etching, aquatint, and hand-coloring. This abstract composition evokes the shimmering surface and reflections of a pool at night through bold gestural forms and dense layering of black and gray tones. Printed by Atelier Crommelynck in Paris and hand-colored by Cinda Sparling in New York, the work reflects Hodgkin’s painterly approach to printmaking. Issued in an edition of 100 plus artist’s proofs, this piece was published by Petersburg Press in New York and London.
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Howard Hodgkin
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Inquire For Price
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Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
