Details
Artist
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Aquatint, hand colored with charcoal Henri Matisse’s Espanol (c. 1925) is an aquatint hand-colored with charcoal, combining the artist’s mastery of texture, form, and mood. The artwork features a seated woman wearing a mantilla, resting her chin on her hand against a richly patterned floral background. The piece exudes elegance and quiet contemplation, with the striped tablecloth in the foreground adding a rhythmic balance to the intricate backdrop. Measuring 64.8 x 49.5 cm, this composition reflects Matisse’s ability to blend detail and simplicity while capturing the emotional depth of his subject.
Details
Artist
Styles
Aquatint, hand colored with charcoal Henri Matisse’s Espanol (c. 1925) is an aquatint hand-colored with charcoal, combining the artist’s mastery of texture, form, and mood. The artwork features a seated woman wearing a mantilla, resting her chin on her hand against a richly patterned floral background. The piece exudes elegance and quiet contemplation, with the striped tablecloth in the foreground adding a rhythmic balance to the intricate backdrop. Measuring 64.8 x 49.5 cm, this composition reflects Matisse’s ability to blend detail and simplicity while capturing the emotional depth of his subject.
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Henri Matisse
One Plate, From Cinquante Dessins (Duthuit Books 2), 1920
Limited Edition Print
Etching
Inquire For Price
Henri Matisse
Le Lanceur De Couteaux, From Jazz, 1947
Limited Edition Print
Mixed Media
EUR 22,900
Henri Matisse
La Robe Jaune Au Ruban Noir, 1922
Limited Edition Print
Lithograph
USD 25,000 - 50,000
Henri Matisse
Espanol, c. 1925
Drawing / Watercolor
Mixed Media
Inquire For Price
Henri Matisse
L'Espagnol à La Mantille, 1925
Limited Edition Print
Etching And Aquatint
EUR 3,100
Henri Matisse
D416 Le Repos Du Modele, 1922
Limited Edition Print
Lithograph
USD 8,600
Henri Matisse
D236 Nausicaa Ulyssess Pl202, 1935
Limited Edition Print
Lithograph
USD 10,500
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Spatialism is an art movement that originated in Italy in 1947, founded by Lucio Fontana with the intention of synthesizing sound, color, movement, and space into a new form of art. The movement's central ideas were outlined in Fontana's first manifesto, published in 1947, where he introduced the concept of spatial art to capture the spirit of the post-war era. His ideas were further developed in five subsequent manifestos. Although Fontana's ideas were sometimes considered vague, his influence was significant, as he was one of the first European artists to emphasize art as a performance and gesture.
