Sam Francis

Untitled, 1984

106.7 X 73 inch

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Triptych (Centre)

Francis Bacon Triptych March 1974 Centre Panel offset print with distorted nude figure crouching under hanging bulb on pale surface.
Francis Bacon Triptych March 1974 Centre Panel offset print with distorted nude figure crouching under hanging bulb on pale surface.
Francis Bacon Triptych March 1974 Centre Panel offset print with distorted nude figure crouching under hanging bulb on pale surface.

Offset on wove paper. Hand signed in black felt tip pen. Image size:63.5 x 47 cm. Sheet size: 80 x 60 cm. Triptych, March 1974 (Centre Panel) by Francis Bacon, published in 1978, is a haunting image of physical distortion and psychological intensity. Rendered as an offset print on wove paper, the work captures the central figure from Bacon's iconic triptych, suspended in an isolated, ambiguous space. The contorted form—part human, part abstraction—crouches under a harsh lightbulb, casting distorted reflections below. Bacon’s expressive brushwork and spatial compression emphasize themes of pain, alienation, and the fragility of the human condition. Printed and published by Ediciones Polígrafa, this signed edition of 150 exemplifies Bacon’s unflinching exploration of existential dread.

Artwork Copyright © Francis Bacon

Triptych, March 1974 ( Centre Panel ), 1978

form

Medium

Edition

Offset on wove paper. Hand signed in black felt tip pen. Image size:63.5 x 47 cm. Sheet size: 80 x 60 cm. Triptych, March 1974 (Centre Panel) by Francis Bacon, published in 1978, is a haunting image of physical distortion and psychological intensity. Rendered as an offset print on wove paper, the work captures the central figure from Bacon's iconic triptych, suspended in an isolated, ambiguous space. The contorted form—part human, part abstraction—crouches under a harsh lightbulb, casting distorted reflections below. Bacon’s expressive brushwork and spatial compression emphasize themes of pain, alienation, and the fragility of the human condition. Printed and published by Ediciones Polígrafa, this signed edition of 150 exemplifies Bacon’s unflinching exploration of existential dread.

Artwork Copyright © Francis Bacon

Francis Bacon

Miroir De La Tauromachie, 1990

Limited Edition Print

Lithograph

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Francis Bacon

Seated Figure, 1983

Limited Edition Print

Etching And Aquatint

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Francis Bacon

Tryptych, 1986/1987

Limited Edition Print

Etching And Aquatint

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Francis Bacon

Tryptych, 1992

Limited Edition Print

Aquatint

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Francis Bacon

Three Studies Of Male Back (One Work - Right Hand Panel Of The Triptych), 1987

Limited Edition Print

Lithograph

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Francis Bacon

Three Studies Of Male Back (One Work - Central Panel Of The Triptych), 1987

Limited Edition Print

Lithograph

GBP 18,000 - 22,000

Francis Bacon

Study For A Portrait Of John Edwards (s.9495), 1986

Limited Edition Print

Lithograph

GBP 17,000 - 20,000

Francis Bacon

Study For A Portrait Of John Edwards, 1988

Limited Edition Print

Lithograph

GBP 18,000 - 25,000

Francis Bacon

L’Homme Au Lavabo Figure At A Washbasin, 1978

Limited Edition Print

Etching And Aquatint

GBP 19,000 - 23,000

Francis Bacon

Triptych, March 1974 ( Centre Panel ), 1978

Limited Edition Print

Offset Print

EUR 15,450

Francis Bacon

Triptych (Centre), 1983

Limited Edition Print

Lithograph

EUR 18,800

Francis Bacon

Study For Portrait Of Pope Innocent X After Velasquez, 1989

Limited Edition Print

Lithograph

EUR 60,000 - 70,000

Francis Bacon

Three Studies For A Portrait Of John Edwards, 1980

Limited Edition Print

Lithograph

EUR 57,000 - 70,000

Francis Bacon

Triptych Inspired By Oresteia Of Aeschylus (s.9503), 1981

Limited Edition Print

Lithograph

Currently Not Available

Francis Bacon

Triptych, 1974-1977

Limited Edition Print

Etching And Aquatint

Currently Not Available

Francis Bacon

In Memory Of George Dyer, 1976

Limited Edition Print

Offset Print

Currently Not Available

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What is new figuration?

Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.

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