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Three Lithographs in colours, on one sheet of Arches Infinity watermarked paper. Signed by the artist in pencil, with the printer's blindstamp, below left : ARTS.LITHO.PARIS. Triptych Inspired by Oresteia of Aeschylus (1981) by Francis Bacon is a haunting lithographic work, comprising three interconnected panels printed on a single sheet. Drawing on the tragic themes of the ancient Greek trilogy Oresteia, the piece reflects violence, transformation, and psychological torment. Each figure is rendered with Bacon's signature distortion, suspended in sparse, geometric enclosures. The central panel features a contorted body bathed in a crimson backdrop, flanked by ambiguous figures emerging from or vanishing into darkened doorways. The green and cream ground lends a chilling detachment. Printed in an edition of 150, this work underscores Bacon’s interest in myth, existentialism, and the frailty of the human condition.
Triptych Inspired by Oresteia of Aeschylus (s.9503), 1981
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53.5 x 103.5 cm
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Details
Artist
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Three Lithographs in colours, on one sheet of Arches Infinity watermarked paper. Signed by the artist in pencil, with the printer's blindstamp, below left : ARTS.LITHO.PARIS. Triptych Inspired by Oresteia of Aeschylus (1981) by Francis Bacon is a haunting lithographic work, comprising three interconnected panels printed on a single sheet. Drawing on the tragic themes of the ancient Greek trilogy Oresteia, the piece reflects violence, transformation, and psychological torment. Each figure is rendered with Bacon's signature distortion, suspended in sparse, geometric enclosures. The central panel features a contorted body bathed in a crimson backdrop, flanked by ambiguous figures emerging from or vanishing into darkened doorways. The green and cream ground lends a chilling detachment. Printed in an edition of 150, this work underscores Bacon’s interest in myth, existentialism, and the frailty of the human condition.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
