Details
Artist
Styles
Lithograph on pale cream wove Arches paper, with Arches watermark - Printed by Arts Litho, Paris. With their blind stamp, lower left - Published by Éditions de la Différence, Paris, 1984 - Dimensions: - Image: 1170 x 860 mm. - Sheet: 1277 x 895 mm. - Signed in pencil, lower right - Catalogue raisonné: - Sabatier, Francis Bacon: The Graphic Work, no. 18 - Tacou, Francis Bacon: Estampes, no.17 // Francis Bacon’s Oedipus and the Sphinx (1984) is a striking lithograph that reinterprets the classic Greek myth with his signature intensity. Printed on pale cream Arches paper, the piece depicts a dramatic encounter between the figures of Oedipus and the Sphinx in a distorted, claustrophobic interior space. Bacon’s characteristic use of blurred and deformed forms evokes a sense of violence and psychological turmoil, emphasizing the existential struggle inherent in the myth. The pink and brown palette contrasts sharply with the fleshy tones and visceral details, such as the red markings on the figures. This limited edition lithograph, printed by Arts Litho, Paris, and published by Éditions de la Différence, highlights Bacon’s mastery in creating a visual tension that confronts the viewer with themes of fate, identity, and conflict.
Oedipus and the Sphinx, 1984
form
Medium
Size
127.7 x 89.5 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Lithograph on pale cream wove Arches paper, with Arches watermark - Printed by Arts Litho, Paris. With their blind stamp, lower left - Published by Éditions de la Différence, Paris, 1984 - Dimensions: - Image: 1170 x 860 mm. - Sheet: 1277 x 895 mm. - Signed in pencil, lower right - Catalogue raisonné: - Sabatier, Francis Bacon: The Graphic Work, no. 18 - Tacou, Francis Bacon: Estampes, no.17 // Francis Bacon’s Oedipus and the Sphinx (1984) is a striking lithograph that reinterprets the classic Greek myth with his signature intensity. Printed on pale cream Arches paper, the piece depicts a dramatic encounter between the figures of Oedipus and the Sphinx in a distorted, claustrophobic interior space. Bacon’s characteristic use of blurred and deformed forms evokes a sense of violence and psychological turmoil, emphasizing the existential struggle inherent in the myth. The pink and brown palette contrasts sharply with the fleshy tones and visceral details, such as the red markings on the figures. This limited edition lithograph, printed by Arts Litho, Paris, and published by Éditions de la Différence, highlights Bacon’s mastery in creating a visual tension that confronts the viewer with themes of fate, identity, and conflict.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
