Details
Artist
Styles
Etching & Aquatint in colours on Arches paper. Signed by the artist in pencil. Printed on a half sheet of a printed page and folded over to be framed, with the blindstamp of the Publisher. L’Homme au Lavabo (Figure at a Washbasin) (1978) by Francis Bacon is a haunting etching and aquatint that captures the distorted physicality and psychological tension central to Bacon's oeuvre. Rendered in a confined, clinical space, the contorted male figure is bent over a basin, body twisted in a posture that suggests pain or vulnerability. Harsh lighting, a stark palette of ochre, red, and black, and Bacon’s signature gestural distortions heighten the sense of isolation. The red book-like object and skeletal forms reinforce a theme of existential unease. Published with a blindstamp and signed in pencil, this print is from an edition of 100.
L’Homme au Lavabo Figure at a washbasin, 1978
form
Medium
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67.5 x 52 cm
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Details
Artist
Styles
Etching & Aquatint in colours on Arches paper. Signed by the artist in pencil. Printed on a half sheet of a printed page and folded over to be framed, with the blindstamp of the Publisher. L’Homme au Lavabo (Figure at a Washbasin) (1978) by Francis Bacon is a haunting etching and aquatint that captures the distorted physicality and psychological tension central to Bacon's oeuvre. Rendered in a confined, clinical space, the contorted male figure is bent over a basin, body twisted in a posture that suggests pain or vulnerability. Harsh lighting, a stark palette of ochre, red, and black, and Bacon’s signature gestural distortions heighten the sense of isolation. The red book-like object and skeletal forms reinforce a theme of existential unease. Published with a blindstamp and signed in pencil, this print is from an edition of 100.
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What is new figuration?
Neo-Figurative Art is a collective term that refers to the revival of figurative art in America and Europe during the 1960s, following a period dominated by abstraction. Michel Ragon, a French art critic, argued that this resurgence of figuration occurred during a critical time of social and political upheaval in both regions.
