Details
Artist
Styles
Woodcut in colors on Kozo paper - Signed and numbered - Published / Printed by Crown Point Press, San Francisco / Shi-un-do Print Shop, Kyoto // Francesco Clemente's I (Met.pg., 50) (1982) is a vibrant woodcut on Kozo paper, reflecting the artist's interest in exploring the human face and emotional expression. The portrait features a figure with vividly colored facial accents—red, green, and blue—set against a soft, warm-toned background. The subject's intense gaze and abstracted features draw the viewer in, creating a sense of introspection and emotional complexity. The bold use of color, particularly in the warm yellows surrounding the face, contrasts with the more muted background, emphasizing the figure’s presence. Clemente’s work often focuses on themes of identity and transformation, and this piece exemplifies his exploration of the human psyche through expressive portraiture.
I (Met.pg., 50), 1982
form
Medium
Size
35.8 x 51.1 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Woodcut in colors on Kozo paper - Signed and numbered - Published / Printed by Crown Point Press, San Francisco / Shi-un-do Print Shop, Kyoto // Francesco Clemente's I (Met.pg., 50) (1982) is a vibrant woodcut on Kozo paper, reflecting the artist's interest in exploring the human face and emotional expression. The portrait features a figure with vividly colored facial accents—red, green, and blue—set against a soft, warm-toned background. The subject's intense gaze and abstracted features draw the viewer in, creating a sense of introspection and emotional complexity. The bold use of color, particularly in the warm yellows surrounding the face, contrasts with the more muted background, emphasizing the figure’s presence. Clemente’s work often focuses on themes of identity and transformation, and this piece exemplifies his exploration of the human psyche through expressive portraiture.
What is figurative art?
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.
