Details
Artist
Styles
Photoetching with aquatint on Somerset paper // Eva Rothschild's Untitled 2 (2021) is a striking etching and aquatint on Somerset paper that combines abstract textures and bold color contrasts. The composition centers around a circular form filled with intricate, speckled details, resembling a cosmic or geological texture, set against a deep black background. The dense pattern within the circle creates a sense of depth and movement, pulling the viewer’s gaze inward. At the bottom of the composition, a vivid red band provides a sharp contrast, anchoring the image and adding a bold, graphic element. Rothschild’s work often explores the interplay between abstraction and materiality, and this piece invites contemplation on cosmic and terrestrial themes through a minimalist yet evocative approach.
Untitled 2, 2021
form
Medium
Size
75 x 60 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
Photoetching with aquatint on Somerset paper // Eva Rothschild's Untitled 2 (2021) is a striking etching and aquatint on Somerset paper that combines abstract textures and bold color contrasts. The composition centers around a circular form filled with intricate, speckled details, resembling a cosmic or geological texture, set against a deep black background. The dense pattern within the circle creates a sense of depth and movement, pulling the viewer’s gaze inward. At the bottom of the composition, a vivid red band provides a sharp contrast, anchoring the image and adding a bold, graphic element. Rothschild’s work often explores the interplay between abstraction and materiality, and this piece invites contemplation on cosmic and terrestrial themes through a minimalist yet evocative approach.
What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.
