
Details
Artist
Styles
Digital Pigment Print; Signed, dated and numbered by the artist in pencil; unframed // Donald Sultan's Smoke Rings (Aug. 13, 2001) is a digital pigment print that captures the ephemeral beauty and fluidity of smoke. The composition is minimalistic, focusing on the delicate swirls and tendrils of white smoke set against a stark black background. The intricate patterns formed by the smoke appear almost abstract, evoking a sense of motion and transformation. Sultan’s work often explores the interplay between abstraction and realism, and in this piece, he captures the transient and intangible nature of smoke, turning it into a permanent visual experience. The print's simplicity invites viewers to reflect on the impermanence of moments and the beauty found within them.
Smoke Rings (Aug. 13, 2001), 2001
form
Medium
Size
58.4 x 58.4 cm
- Inches
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Edition
Price
Details
Artist
Styles
Digital Pigment Print; Signed, dated and numbered by the artist in pencil; unframed // Donald Sultan's Smoke Rings (Aug. 13, 2001) is a digital pigment print that captures the ephemeral beauty and fluidity of smoke. The composition is minimalistic, focusing on the delicate swirls and tendrils of white smoke set against a stark black background. The intricate patterns formed by the smoke appear almost abstract, evoking a sense of motion and transformation. Sultan’s work often explores the interplay between abstraction and realism, and in this piece, he captures the transient and intangible nature of smoke, turning it into a permanent visual experience. The print's simplicity invites viewers to reflect on the impermanence of moments and the beauty found within them.
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Inquire For Price
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
Serigraph
Inquire For Price
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.